“Grimm” has made Portland home for 7 years, hired around 1,000 people (80 percent of the crew have been local, and about 250 full time crew), spent a little over $55 million each year, and has helped many vendors and support businesses expand in equipment and employees, as well as showcase Portland’s varied locations. The show leaves behind a honed, skilled crew, and world class vendors and services. Last week, The Portland Buisness Journal took a look at all the angles on what the show has brought to Oregon – read more in the links below. Continue reading... ““Grimm” – Gone, But Not Forgotten. PBJ Sums Up 7 years and 6 Seasons”
Tomorrow night sees “Grimm“‘s last season premiere – we will all be sad to say goodbye to the show’s quirky and murky portrayal of Portland’s fictitious underbelly, the real city locations, the Wesen, the Police precinct, and the many character actors and stars alike. Six seasons, seven years in the making, and well over 100 episodes later, “Grimm” is set to come to an end, but it leaves behind a healthy and successful legacy of collaboration between the city, NBC, the many crew members, special effects houses, extras, and literally hundreds of local services and vendors. Continue reading... “Goodbye To “Grimm” – Last Season Premiering Tomorrow Night on NBC”
My company, Portland Store Fixtures, is exactly what it sounds like: we rent and sell store fixtures. (In Portland.) We stock mostly used so we have a lot of interesting oddities, but the basics of our business are shelving units, showcases, clothing racks, cash counters, mannequins, display forms – everything you need to make a store look like a store.
The majority of our revenue comes from selling fixtures to retail establishments, and most of our rentals are to clothiers, jewelry designers, and other retailers who just need a rack or a mannequin for a one-day event like a convention or a festival. Continue reading... “Portland Store Fixtures – Propping Up The Film & TV Industry”
With the advancements in LED lighting fixtures and HMI ballasts, controlling light fixtures with DMX signals has become both easier and much more precise. These advancements have ushered in new possibilities for control which is both quicker, easier and more economic than ever before.
While DMX control has been common in Theatrical settings for quite some time, only recently has advances in fixture design made this practical for TV/Film sets. DMX 512 is the standard communication protocol used in Entertainment industry products. Continue reading... “The Digital Revolution in Lighting”
Writer & Director & Producer — Bryan R. Thompson
Director of Photography — Jeremiah L. Scott
PA- Benjamin James
Gaffer: Steve Waters
Sound: Jeff Scott Taylor
Editor & Color: Bryan R. Thompson
Hair & Make-up / Costume Design — Alicia Watkins
Fox12’s “More” series has been focussing on “More Movies” and has recently highlighted two more local business owners, 360 Labs and Greg McMickle.
360 Labs, an Oregon-based production company, is hoping to put Portland on the growing virtual reality map. 360 Labs specializes in “360º immersive panoramic photography and video.” Their goal is to create “meaningful and memorable experiences for virtual reality, desktop and mobile applications.says virtual reality videos will be the next big thing in 2016.” Continue reading... “Fox12’s Highlights Two More Locals In Their “More Movies” Series”
Tim Oakley, Oakley Design Studios (photo: Hal Harrison, AboutFace Magazine)
Local Portland Prop Master, Tim Oakley, gets a well-deserved spread in AboutFace Magazine’s summer issue as a featured artist this month. Oakley (Oakley Design Studios) designs and creates intricate props, logos and set designs for features, TV and commercials. Most recently Oakley has created some of the iconic props for local Oregon shows such as “Grimm”, “The Librarians”, “The Green Room”, and others such as “”Dark Knight Rises”, “Start Trek” (1 and 2), “Indiana Jones” and “Jurassic World”, amongst many others. Continue reading... “Local Prop Master, Tim Oakley, Featured Artist In AboutFace Magazine”
The film host an all Portland based cast, crew, vendors and services. It premiered at this year’s Slamdance Film Festival and has since gone on to win Best Dramatic Feature and Best Performance at the Arizona International Film Festival. It has also played at the Mammoth Lakes Film Festival and will be playing at the AMFM FEST: Flagstaff this August. Continue reading... ““Birds of Neptune” Will Screen Opening Night At The Portland Film Festival”
My company, 
With the advancements in LED lighting fixtures and HMI ballasts, controlling light fixtures with DMX signals has become both easier and much more precise. These advancements have ushered in new possibilities for control which is both quicker, easier and more economic than ever before.
While DMX control has been common in Theatrical settings for quite some time, only recently has advances in fixture design made this practical for TV/Film sets. DMX 512 is the standard communication protocol used in Entertainment industry products. 
