OPB’s “Evergreen” podcast recently explored all about Oregon’s award-winning animation scene. Just think of “Coraline,” “Guillermo del Toro’s Pinocchio” and Will Vinton Studio’s California Raisins ad from 1986.
OPB’s Oregon Art Beat producer Eric Slade helped make a documentary about that state’s animation industry, and he’s here to break down how creators have established the state as a reigning animation powerhouse that’s influencing the art form’s legacy and future.
Discover Portland: Where Your Creative Vision Comes to Life!
Welcome to Portland, the ultimate city for filmmakers and creatives, brimming with diverse, vibrant locations. From gritty urban landscapes to breathtaking forest scenes, every shot in Portland is a masterpiece in the making.
But here’s the real draw: Oregon offers a substantial 25% cash rebate on production expenses through Oregon Film, making your project not just creatively fulfilling but financially savvy, too! Get an additional cash payment of up to 26.2% of payroll wages for production personnel working in the state. Continue reading... “Lights. Camera. Portland!”
The Oregon Production Investment Fund (OPIF) annual tax credit auction will take place starting at 9a on Monday, September 23, 2024 and run for 5 days until 5p on Friday, September 27, 2024.
Each year, Oregon Film and the Oregon Department of Revenue auction off $20M of Oregon state tax credits in $500 increments at a minimum bid of 90% of face value. This means you can purchase a $50,000 Oregon state tax credit at auction for as little as $45,000. Continue reading... “OPIF Tax Credit Auction to be Held Sept 23 – 27, 2024”
Oregon Film’s Executive Director Tim Williams recently connected with Matthew Smith at Wrapbook to talk about all things Oregon – production, crews, incentives, film trails, VFX, animation and our work to help make this state the best possible location for your next creative project.
For those of you who don’t know, Wrapbook is a one-stop-shop platform for your next production. Wrapbook centralizes production management: pay your crew, monitor spending, and synchronize your team—all in one platform.
It’s that time of year again. Here’s an update on the work we’ve been doing.
Oregon Film, sometimes called the Oregon Film & Video Office other times called the Governor’s Office of Film & Television, is the oldest US state film commission that we know of. Founded in 1968 our mission is to develop, grow and support the film and media industry here in Oregon.
Captain Marvel writer-directors Anna Boden and Ryan Fleck are set to direct the first four episodes of Prime Video‘s “Criminal,” a drama based on the multi-Eisner Award-winning graphic novel series created by Ed Brubaker and Sean Phillips.
Criminal was ordered to series in January and is currently in pre-production in Portland, Oregon. Brubaker, who penned the pilot script, co-showruns with crime fiction author Jordan Harper (Hightown).
The TV show is described as an interlocking universe of crime stories. As Brubaker explained to Deadline in a 2019 interview, “Criminal tells the interweaving saga of several generations of families tied together by the crimes and murders of the past.” Continue reading... ““Criminal” Series Adds Directors Fleck & Boden”
George Fox University is hosting a Film Production Institute for high school students this summer at its campus in Newberg. Oregon Film community members are entitled to a $500 scholarship for their children and dependents. This is in appreciation for Oregon Film’s collaboration with George Fox to use the Newberg campus as a regular filming location.
Professor Alex Chung, an alumnus of the Sundance Film Festival, who has written, directed and produced numerous projects, optioned several screenplays, and has crewed on dozens of features and short films in varying capacities, will lead the institute. Continue reading... “Inspiring the New Generation of Filmmakers”
The award-winning feature film studio based just outside of Portland, Oregon uses cutting-edge technology and innovative processes to create stop-motion animation in a way no other studios are. And the company’s culture — focused on DEI and growth opportunities — is driven by team members who share a passion for telling great stories.
MoveMaker Magazine just released its annual list of Best Places to Live and Work as a Filmmaker and Portland has made the list again. Coming in at #15 (just under our friends and colleagues to the southeast in SLC), Portland stands alone on the list for the PNW.
As we head into a new year, it is a good time to reflect on our work and mandates and share what we’re up to here at Oregon Film. Do You Know What (Y)Our Film Office Does?
Who Are We? We are a small (4 people) semi-independent state agency. We work closely with other agencies such as: