Andrew Gay, dean of the SOU School of Arts and Communications, talks about how the school’s Digital Cinema Department has grown to be one of the best in the country. Ashland.news photo by Bob Palermini
Ashland News recently did a great story on the Digital Cinema Program at Southern Oregon University after it was was recognized by MovieMaker Magazine as a Top Film School in the US and Canada.
Alongside big-name schools such as the University of Southern California and the University of California, Los Angeles, SOU was chosen for its hands-on education and networking opportunities with Film Southern Oregon and the Ashland Independent Film Festival. Continue reading... “SOU’s Film School is a Rising Star, with Growing Ambitions”
The 2022-2023 Entertainment Industry Survey revealed that workers with a disability experience discrimination more than any other population of entertainment workers. They are twice as likely to report they “often” or “very often” experience bullying, bias, and sexually harassing behaviors, compared to workers without a disability.
This training from Disability Belongs, a diverse, disability-led nonprofit that works to create systemic change in how society views and values people with disabilities, will walk organizations through building an environment of inclusion. Trainers will discuss small, easy-to-implement disability inclusion initiatives that will make production workplaces accessible to millions of people with disabilities. Continue reading... “The Hollywood Commission Presents “Creating a Welcoming, Inclusive and Accessible Production””
Join us and independent filmmaker Dawn Jones Redstone (www.dawnjonesredstone.com) for this fun and informative deep dive into what it takes to be an indie filmmaker in 2024. Space is limited so get your ticket today!
This introductory class will equip you with the knowledge you need to get your film out into the world, covering everything from project conception and funding to production and distribution, bios, pitch decks, websites and reels. Honing in on the power of intentional storytelling, we’ll focus on your personal values as an artist, taking risks, and fostering community connections. Continue reading... “Level Up: Filmmaker Career Advancement Toolkit Workshop”
Founded by a Hollywood 30+ year veteran/inventor, Owen Stephens, SOC, CROCJAW company services Pacific northwest studios, commercials and independent film producers with Owen’s custom camera truck, and grip & lighting rentals. These include his award winning soft-lighting systems and his very powerful and versatile Crocjaw clip invention.
Inventing by Necessity
An engineer from S Africa with a creative bent, Owen started his film career in the Motion Picture & TV industry at Pinewood Studios with Superman, and climbed the ranks to Gaffer and Director of Photography on a long list of feature films, music videos, and tv commercials, working alongside some of the top cinematographers in the world.
It’s official: Southern Oregon University’s Digital Cinema program makes SOU one of the best film schools in North America. The current edition of MovieMaker magazine, which bills itself as the world’s most widely read independent film magazine, includes SOU among its picks for the “30 Best Film Schools in the U.S. & Canada.”
Oregon Film’s Executive Director Tim Williams recently connected with Matthew Smith at Wrapbook to talk about all things Oregon – production, crews, incentives, film trails, VFX, animation and our work to help make this state the best possible location for your next creative project.
For those of you who don’t know, Wrapbook is a one-stop-shop platform for your next production. Wrapbook centralizes production management: pay your crew, monitor spending, and synchronize your team—all in one platform.
It’s that time of year again. Here’s an update on the work we’ve been doing.
Oregon Film, sometimes called the Oregon Film & Video Office other times called the Governor’s Office of Film & Television, is the oldest US state film commission that we know of. Founded in 1968 our mission is to develop, grow and support the film and media industry here in Oregon.
Join Open Signal for a day of collaboration and opportunity with Portland’s community of nonfiction media makers! Saturday, June 29, 11a-3p.
Lights, Camera, Connection: Real to Reel will showcase the collaborative spirit of Portland’s community of nonfiction media makers. Our city is full of independent production companies and freelance creators working in advocacy, broadcast, documentary, event, sports, journalism, and many other fields of content creation.
The award-winning feature film studio based just outside of Portland, Oregon uses cutting-edge technology and innovative processes to create stop-motion animation in a way no other studios are. And the company’s culture — focused on DEI and growth opportunities — is driven by team members who share a passion for telling great stories.
The 2022-2023 Entertainment Industry Survey revealed that workers with a disability experience discrimination more than any other population of entertainment workers. They are twice as likely to report they “often” or “very often” experience bullying, bias, and sexually harassing behaviors, compared to workers without a disability.
Join us and independent filmmaker Dawn Jones Redstone (
It’s official: Southern Oregon University’s Digital Cinema program makes SOU one of the best film schools in North America. The current edition of MovieMaker magazine, which bills itself as the world’s most widely read independent film magazine, includes SOU among its picks for the “30 Best Film Schools in the U.S. & Canada.”
Oregon Film’s Executive Director Tim Williams recently connected with Matthew Smith at Wrapbook to talk about all things Oregon – production, crews, incentives, film trails, VFX, animation and our work to help make this state the best possible location for your next creative project.
It’s that time of year again. Here’s an update on the work we’ve been doing.
Join 
The award-winning feature film studio based just outside of Portland, Oregon uses cutting-edge technology and innovative processes to create stop-motion animation in a way no other studios are. And the company’s culture — focused on DEI and growth opportunities — is driven by team members who share a passion for telling great stories.