It’s great to watch movies set in your hometown.For many of us, Free Willyis a childhood favorite. This Sept. 22nd, when attending the #OregonMade film event, pay close attention to the implicit biases that show up in this film. The last time I watched “Free Willy” two scenes left me shaking my head in disbelief.How had I not noticed these scenes before?Today, it’s my job to turn a critical eye toward all media and unpack biases. Continue reading... “Media Bias? Creator Bias?: “Free Willy””
I’m a stand-up, but I want to make movies, or just write them. Or act. Or edit. Or decoupage, but I don’t think anyone would pay me for that, really anything but any stand-up.
Also, I really like to do stand-up.
So my idea! I’ll make a movie with stand-up comedians (and a musician.)
Party Quest showed at the Kiggin’s Theater December the 8th, featuring an hour-long live show of music and comedy with the cast, and finished up with the short film as the headliner. Continue reading... “My name’s Tristian: I had an idea!”
SourceOregon is a statewide directory of industry professionals. It’s a great way to get found for your services, but it’s also OMPA’s best promotional tool to advocate for the industry. Show policymakers how many jobs are at stake!
Emmy Award winner, Visual Effects Supervisor Juri Stanossek will attend the screening of JIM BUTTON AND LUKE THE ENGINE DRIVER on Sunday Oct. 7, 218 @ 3.00 PM at CINEMA 21. Following the screening will be a presentation about VFX by Juri Stanossek followed by a Q&A.
Juri Stanossek started his career in 1994. Since then he’s supervised more than 40 movies for TV and cinema. He acted as Visual Effects Supervisor at Elektrofilm from 2004 to 2008 and then moved forward to Pixomondo Stuttgart, where he supervised international productions like “Ghostwriter” (2010), “Hugo Cabret” (2011) , “Game of Thrones” (2012) and “Rush” (2013).
Centered around music licensing and scoring original music, Marmoset is a Northwest music agency aiding filmmakers in creating remarkable soundtracks for every project. And with a roster of vintage to independent and emerging artists, Marmoset is equipped to match music to picture on any and every scale.
The new #OregonMade Film History Mural and Poster Exhibit is located in the Portland International Airport’s south pedestrian tunnel which connects the parking garage to the terminal (underground between baggage claims 3 and 4.) It provides travelers with over 160 uninterrupted feet ofmural art and posters, representing a small collection of Oregon’s rich film hist ory. By creating this exhibit, we hope to aptly celebrate the unique and varied locations Oregon has to offer, the projects that have called Oregon home over the years, and the professional production communities that come together to make Oregon so film-friendly. Continue reading... “A New #OregonMade Mural And Film Poster Exhibit For The Portland International Airport”
#OregonMade R2C, Portland’s largest creative agency, (with offices in Portland, San Francisco, Providence, R.I and Philadelphia) has landed the job of media partner for the online loans company, LendingTree. The Portland Business Journal noted that AdWeek reports indicated that LendingTree had a media budget of $126.5 million in 2016. R2C will be servicing part of that budget.
R2C, founded in 1998 by Michelle Cardinal and Tim O’Leary, is a data-driven creative media agency. They will be handling media planning, buying and TV and radio analytics for LendingTree. Continue reading... “R2C Group Lands LendingTree”
My name is Steve West and I am new to “The Confluence” but not new to making film in Oregon. I am located in La Grande and for the last fourteen years we have produced episodic adventure based outdoor television for The Outdoor Channel, Sportsman Channel, and other networks. However in the last two years we have started a more well rounded media house with documentary projects, commercials, and producing television for other people and companies.