Three Indigenous video artists will receive cash prizes to support a film project they are developing: one for $5,000 and two for $2,500. Three other Emerging Indigenous Filmmakers will receive full camera kits (or equivalent cost equipment, calculated at $800) so that they can take their craft to the next level.
In this artist talk and workshop on June 5 at PAM CUT, Ariel Baska, multiple disabled horror filmmaker and disability advocate, shares their experiences using accessibility tools as a uniquely creative layer. They are joined by Cheryl Green, of the Social Audio Description Collective, to talk through how captions and audio description can intertwine aesthetically with the work. By working in this way, artists can provide access that is both integral to the art and opens up new artistic worlds to audiences they have never reached before. Continue reading... “PAM CUT Workshop: Access as Art and Practice in Creative Projects”
George Fox University is hosting a Film Production Institute for high school students this summer at its campus in Newberg. Oregon Film community members are entitled to a $500 scholarship for their children and dependents. This is in appreciation for Oregon Film’s collaboration with George Fox to use the Newberg campus as a regular filming location.
Professor Alex Chung, an alumnus of the Sundance Film Festival, who has written, directed and produced numerous projects, optioned several screenplays, and has crewed on dozens of features and short films in varying capacities, will lead the institute. Continue reading... “Inspiring the New Generation of Filmmakers”
Are you prioritizing safety and inclusion in your creative production?
My 4-hour, in-person workshops will teach you how to build consent into the foundation of your film, theater, live performance, and other artistic endeavors.
While humans can create beautiful and profound works of art, we may inadvertently create unsafe work environments if we fail to be mindful of consent and boundaries.
As a Certified Consent-Forward Artist with over 20 years of experience as a Producer and Director of film, digital, and live events, I have created these workshops to provide you with practical knowledge and tools to make your creative productions safer and more inclusive. Continue reading... “Consent on Set Workshops – November and December”
It’s great to watch movies set in your hometown.For many of us, Free Willyis a childhood favorite. This Sept. 22nd, when attending the #OregonMade film event, pay close attention to the implicit biases that show up in this film. The last time I watched “Free Willy” two scenes left me shaking my head in disbelief.How had I not noticed these scenes before?Today, it’s my job to turn a critical eye toward all media and unpack biases. Continue reading... “Media Bias? Creator Bias?: “Free Willy””
Koerner Camera is offering a comprehensive two-day workshop for Camera Operators, ACs, and Loaders. Gain familiarity with 16mm & 35mm formats, learn to load in the dark, and get hands-on shooting experience with the most common film cameras in use today!
Taught by industry professionals, with a special breakout session for Directors to gain confidence in pitching, prepping, and realizing their vision on film.
PassinArt Theatre is having their second biennial Pacific Northwest Multicultural Readers Series & Film Festival Thursday – Sunday, August 17-20, 2023 at the DoubleTree by Hilton Hotel in Portland, Oregon.
The festival will be a jam-packed, four-day whirlwind of wall-to-wall readings, screenings, masterclasses and panel discussions addressing the issues of the day as they shape theaters of color, television, and film.
In attendance, we will have celebrity co-hosts Javon Johnson [The Oval, Boo! Madea Halloween] and Bobby Yan
[Stalker, K Love] welcome industry luminaries including Regina Taylor [I’ll Fly Away, CSI Vegas, Justified]; Rose Bianco [Cobra Kai, East New York, Minx]; Rhavynn Drummer [Tyler Perry/national casting director]; Ted Lange [The Love Boat]; Stephanie Frederic [film/tv producer Girls’ Trip, All Eyez on Me, Night School, American Gangster]; Professor Vera J.Continue reading... “PassinArt Theatre: Pacific Northwest Multi Cultural Readers Series & Film Festival”
Join PAM CUT as we welcome the Head of Business and Legal Affairs at Academy Award-winning ShadowMachine, Rosemary Colliver as she discusses the very pertinent and important production contracts, how to properly create one, and what to be aware of to keep your creative project safe. Coming along for the ride is Academy Award-winning producer Melanie Coombs (Guillermo del Toro’s Pinocchio, Harvie Krumpet) to help provide further insight with real-life experiences to help participants better understand the importance and necessity of these contracts. Continue reading... “PAM CUT Professional Workshops: The INs and OUTs of Production Contracts”
Join PAM CUT, and attorneys Rachel Goldberg and Christopher Weathers on a deep dive into the world of Rights, Clearances, and Fair Use for media projects including film, television, video games, XR, etc.
This professional development workshop, supported by the Oregon Film’s Creative Opportunity Program will take a closer look at just what it entails for a media maker to inquire about, license, or incorporate into their project intellectual property such as music, images, artwork, and more. Along for the ride, seasoned producer David Cress will provide real-world examples of issues that have arisen on productions and how they could have been avoided. Continue reading... ““In The Clear” – Learn About Clearances from Legal Experts @PAMCut”
What has Oregon Film been up to? – After assuring our industry worked so well through the turbulent pandemic period with several projects of all sizes, 2022 started off with a slow down. Needless to say, Oregon is still attractive and a great place to bring your creative production. Recently we worked with the state legislature and partners like the OMPA and the IATSE and SAG-AFTRA unions to increase the film and media cash rebate percentages from 18% to 25%. In addition, the annual funding for the OPIF program increased from $14M to $20M. Continue reading... “Oregon Film: Who We Are & What We Do (Update 2022)”