VFX Revolution: How the Internet and Digital Devices are Reshaping Visual Effects and Film
Thursday, May 17, 2012 from 6:00 PM to 9:30 PM (PT)
Location: Bagdad Theatre, Portland, OR
Anyone with an interest in VFX will not want to miss this opportunity to see and hear first hand what is currently going on directly from some current experts in the field. In less than 40 years, computer graphics and digital devices have transformed film experience with techniques such as digital compositing, motion control, computer-generated characters and photo-realistic images incorporated into live-action footage. Continue reading... ““VFX Revolution” May 17th – Presented by WebVisions”
Based on the New York Times’ bestseller by Donald Miller, “Blue Like Jazz” tells the story of a nineteen-year-old sophomore who “tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America”. A passion project from the start, filmmakers Donald Miller, (screenwriter) and Steve Taylor (director/screenwriter) used KickStarter to raise $345,992 to get the project off the ground. Continue reading... “Blue Like Jazz Is Playing In A Theater Near You”
The NW Animation Festival is proud to bring you a special encore presentation of Portland Animation Now!—this weekend at the Cinema Pacific film festival in Eugene, Oregon.
Portland Animation Now!
short films from 20+ Portland animators
Date: April 20 @ 7pm Runtime: 95min Venue: Bijou Art Cinemas Address: 492 East 13th Ave, Eugene, OR 97401 Tickets: $8 general public, $6 students/seniors CLICK HERE to buy advance tickets
Amazing short films from Portland’s powerhouse animation scene! Highlights include…
We are anxiously awaiting the theatrical release of LAIKA’s “ParaNorman” this August, and were excited to see that they have released a new trailer for the film. View the trailer below, or visit the official site: http://paranorman.com for more.
One of the cool things about the animation/VFX industry is that it’s continually evolving beyond the established parameters. The artistry of a well generated scene or special effects sequence is now no longer confined to a piece of film, but has also begun to take on an interactive element as video games move closer to the cinematic boundary.
One of the cool things about the animation/VFX industry is that it’s continually evolving beyond the established parameters. The artistry of a well generated scene or special effects sequence is now no longer confined to a piece of film, but has also begun to take on an interactive element as video games move closer to the cinematic boundary.
Whether you’re aware of it or not, you know of Will Vinton. He’s the man who coined and, in 1978, registered the term “claymation” to describe his films’ use of stop-motion animated clay. He’s responsible for some of the most well-recognized ad spokesmen of the twentieth century in this style – the California Raisins and the Red and Yellow M&Ms. He’s won an Oscar and multiple Emmys; all while working from his home base in Portland, Oregon. Continue reading... “An Interview with Will Vinton”
We are excited to have the opportunity to work with NBC Universal this summer on greening the new series, “Grimm”. NBC Universal’s Television and Environmental Policy affirms they are, “committed to pursuing environmentally sustainable practices across all of our operations” and these are clearly laid out in their environmental policies that cover the production office, construction, on set and wrap. That’s great for the state of Oregon as well as the environment generally! Continue reading... “What Is Both Green And Universal At The Same Time?….”
One of the cool things about the animation/VFX industry is that it’s continually evolving beyond the established parameters. The artistry of a well generated scene or special effects sequence is now no longer confined to a piece of film, but has also begun to take on an interactive element as video games move closer to the cinematic boundary.
