Next year for season 5 of “Leverage,” expect a few changes including a new location for the show’s stages. The truth is the new space is actually an old one that has been frequently used as a stage for several features in the past (“Extraordinary Measures,” “Twilight,” and “Untraceable”). Before this season, the space down in Clackamas was 60,000 square feet of open warehouse space which wasn’t ideal for a TV series. This fall the team at “Leverage” took over the space and are dividing it into three usable production spaces. Continue reading... ““Leverage” Readies to Move into a New Stage Space for Season 5”
That’s what you keep telling yourself. Well, why wait another year or another day?
The Northwest Film Center School of Film is offering an array of weeknight and weekend hands-on classes, starting throughout January. Write that romance you’re always thinking about, launch that documentary, meet other aspiring makers and creatives, get a leg up on entry level opportunities within the film scene, animate with an Oscar-winning director, or geek out with Super 8mm film (they still do that? YES!) and other technical workshops. Continue reading... “Stop Talking about your Film and Make It.”
In the spring of 2008, Deep Green Films bought top of the line production equipment in order to shoot the feature length documentary “Deep Green—Solutions to Stop Global Warming Now.” Deep Green Films invested in the purchase of aSony HDW F900R camera, Sony PMW-EX1camera, Fujinon lenses, an HDCAM tape deck, a Sanyo HD portable projector, and a world class sound kit to produce this high quality documentary. With the recent completion of the final cut of “Deep Green,” this equipment is now available for rental to industry professionals who know the value of quality low mileage gear. Continue reading... “Rent Production Equipment From Deep Green Films”
Not uncommonly, we just had a major US retailer shoot a commercial here in Oregon but this one was different, they did it with a sustainable mandate that came from the client’s corporate office. The greening company, EcoSet was hired to oversee the process. EcoSet operate as an “environmental production resource committed to implementing customized, practical, and sustainable environmental solutions for commercial productions”. A relatively new breed of environmentalists are finding a way to green commercial and feature productions in creative and resourceful ways by plugging into what communities already offer. Continue reading... “Commercial Production Brings Value to the Community, the Environment and the Local Economy at the Same Time”
An article this week in Oregon Business Magazine highlighted film production in the southern region of the state. Producer, Gary Kout, founder and director of SOFAT made note of the production upturn due in part to diverse locations and experienced crew. For the details read here.
The videos embedded here are just two examples of testimony from local companies that have directly benefited from Oregon’s film incentive programs. These videos will be played for the Oergon State Legislature at the continuation of the initial house hearing (on HB 2167) this Friday. HB 2167 proposes increasing the annual amount allocated to the Oregon Production Investment Fund (OPIF).
Every year Movie Maker Magazine surveys independent filmmakers in the united states to find the best cities live and work in. They focus on a number of criteria; good cost of living, employment opportunities, quality of life, affordable home prices and of course financial incentives, availability of locations and quantity of crew and vendors.
I was approached several times to take over an established camera car company. After being employed by them for several years, an opportunity presented itself. I didn’t want to go it alone. One phone call to a long time friend and the decision was made. Oregon now had Elite Camera Cars LLC. A new partnership built by four Oregonians.
Picture This Production Services & Stage hosted a 3D Workshop last month to introduce our community to multiple 3D Camera solutions including the Panasonic AG-3DA1 Camcorder, the first professional 3D dual lens HD video camera in the world, as well as 3D projection and 3D post production solutions.
The workshop kicked off with an introduction to 3D basic terminology and fundamental principles. We were guided through how physical science combined with aesthetic choices and art direction can produce successful and compelling 3D video imagery. Continue reading... “Convergence, Parallax, Inter-Axial???”
An article this week in 
