As Grimm fades to black, it’s hard not to get a little nostalgic considering the massive contribution to our local VFX scene. But this also signals a call to action and the need to pull together quickly, to keep as many of the dozens of Ex-Grimm artists here and gainfully employed as possible. Local studios, agencies, and other companies operating in the VFX/CG/Post/Game space are on baord.
“Grimm” has made Portland home for 7 years, hired around 1,000 people (80 percent of the crew have been local, and about 250 full time crew), spent a little over $55 million each year, and has helped many vendors and support businesses expand in equipment and employees, as well as showcase Portland’s varied locations. The show leaves behind a honed, skilled crew, and world class vendors and services. Last week, The Portland Buisness Journal took a look at all the angles on what the show has brought to Oregon – read more in the links below. Continue reading... ““Grimm” – Gone, But Not Forgotten. PBJ Sums Up 7 years and 6 Seasons”
HouseSpecial is expanding our roster of production coordinator talent for upcoming CG and stop-motion productions. To be included in our production bullpen, submit your information via housespecial.com and select Future Positions. Experience in producing animation is always helpful.
Production Coordination: Principal Duties and Responsibilities
Tracks all project activity from preproduction through delivery of masters across CG, Stop-Motion and Mixed Media animation projects and Live Action shoots.
Maintains and updates crew lists.
Communicates scheduling information with freelance and staff artists, including specific instructions from directors and producers.
I first heard about the #OregonMade trademark at the Portland International Airport while viewing actual artifacts from several films shot in Oregon on display.
Now the Oregon Film Museum is stepping out and celebrating ‘Animal House’ with a huge party in Portland on October 30th, 2016. And the local communities, who hold their own local celebrations, are stepping up to support the Oregon Film Museum too.
Film is such a collaborative effort, but this scale of collaboration in celebrating Oregon creative projects is something I have never seen as a 47-year veteran of Oregon filmmaking.Continue reading... “Celebrating #OregonMadeShows”
Many congrats to Schuyler Telleen, Production Designer, and Katherine Isom, Set Decorator, (“Portlandia”) for winning the Creative Arts Emmy for Production Design For A Variety, Nonfiction, Reality Or Reality-Competition Series – Reality Or Reality-Competition Series…..job well done!
NW Doc is hiring a Production Coordinator starting at 10-hours a week to assist with editing, media management and general technical assistance. Positions are open until filled.
As Grimm fades to black, it’s hard not to get a little nostalgic considering the massive contribution to our local VFX scene. But this also signals a call to action and the need to pull together quickly, to keep as many of the dozens of Ex-Grimm artists here and gainfully employed as possible. Local studios, agencies, and other companies operating in the VFX/CG/Post/Game space are on baord.
Mike Green, Oregon Business, 
TNT’s drama, “
I first heard about the