“Animal House of Blues”: has been announced today as an Official Selection of the Eugene International Film Festival October 18th- 21st, 2012. Directed by Jay Richardson, class of 2012; with the help of fellow graduating filmmakers.
Subtitled “How an Oregon Community Helped Create a Hollywood Blockbuster (or Two) On a ‘B’ Drive-In Movie Budget”; this next generation of young Oregon filmmakers, formerly from the University of Oregon, stepped up and optioned, filmed and edited Katherine Wilson’s documentary screenplay, as well as licensed her Oregon Film Factory Movie Museum images and artifacts. Continue reading... “Animal House of Blues”
When Zimmerman Advertising approached Hinge Digital to bring the beloved Carfax Car Fox to life in CG, we jumped at the opportunity to apply our extensive experience in character development, animation, and visual effects to a national advertising campaign.
Building on a collaboration of several years on over 30 animated commercials, Zimmerman and Hinge began Car Fox’s character development in 2011. Working very closely with the agency and Carfax, Hinge created the spokes-character in CG to seamlessly integrate into the live-action.
VFX Revolution: How the Internet and Digital Devices are Reshaping Visual Effects and Film
Thursday, May 17, 2012 from 6:00 PM to 9:30 PM (PT)
Location: Bagdad Theatre, Portland, OR
Anyone with an interest in VFX will not want to miss this opportunity to see and hear first hand what is currently going on directly from some current experts in the field. In less than 40 years, computer graphics and digital devices have transformed film experience with techniques such as digital compositing, motion control, computer-generated characters and photo-realistic images incorporated into live-action footage. Continue reading... ““VFX Revolution” May 17th – Presented by WebVisions”
Based on the New York Times’ bestseller by Donald Miller, “Blue Like Jazz” tells the story of a nineteen-year-old sophomore who “tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America”. A passion project from the start, filmmakers Donald Miller, (screenwriter) and Steve Taylor (director/screenwriter) used KickStarter to raise $345,992 to get the project off the ground. Continue reading... “Blue Like Jazz Is Playing In A Theater Near You”
The NW Animation Festival is proud to bring you a special encore presentation of Portland Animation Now!—this weekend at the Cinema Pacific film festival in Eugene, Oregon.
Portland Animation Now!
short films from 20+ Portland animators
Date: April 20 @ 7pm Runtime: 95min Venue: Bijou Art Cinemas Address: 492 East 13th Ave, Eugene, OR 97401 Tickets: $8 general public, $6 students/seniors CLICK HERE to buy advance tickets
Amazing short films from Portland’s powerhouse animation scene! Highlights include…
We are anxiously awaiting the theatrical release of LAIKA’s “ParaNorman” this August, and were excited to see that they have released a new trailer for the film. View the trailer below, or visit the official site: http://paranorman.com for more.
One of the cool things about the animation/VFX industry is that it’s continually evolving beyond the established parameters. The artistry of a well generated scene or special effects sequence is now no longer confined to a piece of film, but has also begun to take on an interactive element as video games move closer to the cinematic boundary.
One of the cool things about the animation/VFX industry is that it’s continually evolving beyond the established parameters. The artistry of a well generated scene or special effects sequence is now no longer confined to a piece of film, but has also begun to take on an interactive element as video games move closer to the cinematic boundary.
One of the cool things about the animation/VFX industry is that it’s continually evolving beyond the established parameters. The artistry of a well generated scene or special effects sequence is now no longer confined to a piece of film, but has also begun to take on an interactive element as video games move closer to the cinematic boundary.