Filmmaker Andy Koontz’s debut feature Ekimmu/The Dead Lust will screen at the Clinton Street Theater on Saturday May 6th as a double feature with Brian Padian’s debut feature film The Black Sea Movie. Both films were made independently and took over a decade to be fully realized with minimal resources. But the films share something else in common: both directors are also brain tumor survivors. “We met online and realized we had these things in common and wanted to have a screening to celebrate cinema and being alive” says Padian. Continue reading... “Double Feature – Ekimmu/The Dead Lust & The Black Sea”
‘Five Easy Pieces’ 1970: Karen Black and Jack Nicholson
This is an excerpt from the photo book being written by Oregon Filmmaker Katherine Wilson:
50 Years of Oregon Film, from Hollywood to Cinematic Literary Voices 1968 -2018
Five Easy Pieces & Poetic Cinema: the 1st Oregon Film of Jack Nicholson
There is a quote I love from Jack Nicholson about the low budget existential westerns he made in the early 60’s with Director Monte Hellman (Ride in the Whirl Wind & The Shooting) for Roger Corman: “Roger wanted some good Tomahawk numbers with plenty of Ketchup, but Monte and I were into these films on another level.” Continue reading... “Oregon Poetic Cinema Filmmaker Jack Nicholson Turns 80”
Nicalis Inc., developer and publisher of such video games as Cave Story, 1001 Spikes and The Binding of Isaac: Afterbirth+, announced that it has acquired two talented and diverse game development studios: Irvine, California-based SuperVillain Studios and Cowboy Color of Eugene, Oregon.
Behind the scenes, the Oregon animation studio, LAIKA, is an amazing collection of animators, artists, cutting-edge tech, and good, old-fashioned story-telling, and this fall you will be able to explore LAIKA’s “creative process” from start to finish at the Portland Art Museum.
“Tracktown” Alexi Pappas and Jeremy Teicher co-wrote and produced the movie that chronicles the physical and emotional struggles of a young, Eugene runner (Pappas) in this coming of age feature. Check out the latest review from ESPN.
Next week, Governor Kate Brown, will unveil a grove of trees in a north Portland park, as a way to permanently thank many departments in the City of Portland, and to celebrate the crew, vendors and service people of Oregon that made it possible for the show to be such a success.
This event acknowledges and celebrates the Portland indie film community. Last year’s theme was to “Draw A Bigger Circle” which helped lure local industry professionals out of their silos in order to collaborate, develop, and grow together. This year’s theme, “Let’s Diversify,” is a collaborative effort designed to give voice and vision to more women and minority film makers in the community. Continue reading... “2017 Portland Indie Film Awards: Let’s Diversify”
Watch the new tour of “Grimm’s” Portland locations on this great guide from the Oregonian! You can read more about this tour of 23 iconic locations used in the show here.
Filmmaker Andy Koontz’s debut feature Ekimmu/The Dead Lust will screen at the Clinton Street Theater on Saturday May 6th as a double feature with Brian Padian’s debut feature film The Black Sea Movie. Both films were made independently and took over a decade to be fully realized with minimal resources. But the films share something else in common: both directors are also brain tumor survivors. “We met online and realized we had these things in common and wanted to have a screening to celebrate cinema and being alive” says Padian. Continue reading... “Double Feature – Ekimmu/The Dead Lust & The Black Sea”
Cowboy Color was founded in 2015
Next week, Governor Kate Brown, will unveil a grove of trees in a north Portland park, as a way to permanently thank many departments in the 
