We were recently approached by, Theo Friedman, a University of Oregon business alumnus, with an idea to create a report for the rookie filmmaker that would look at providing some answers to how projects get made. Oregon Film, in conjunction with the University of Oregon’s Film Organization, was able to introduce Friedman to a handful of Oregon filmmaker insiders and once all the information was in, Friedman created his report, that if you are curious you can check out here:
A near-constant fixture of MovieMaker magazine’s 50 Film Festivals Worth the Entry Fee: https://goo.gl/yXmzNA, BendFilm celebrates independent films and the risky, passionate, tough and talented people who make them. This year’s festival runs from Thursday, Oct. 12 – Sunday, Oct. 15, with most venues located in Bend’s historic downtown and the nearby Old Mill District.
The 2016 BendFilm Festival jury included Aaron Katz (Oscilloscope), Eliza Hajek (SAGindie), and Kristin Slaysman (Los Angeles based actor, producer and director).
8 Artists confined to a comic book store, partake in Scott McCloud’s 24 Hour Comic Challenge. Each attempting to write, draw, and complete a 24 page comic, in 24 hours.
With the smell of coffee and doughnuts lingering over a table filled with pencil shavings, director Milan Erceg delves into the personal lives of each of the participating artist to examine how and why they got into an industry that rarely rewards their passion with fame or money.
The film features Scott McCloud, cartoonist and author of Understanding Comics, and local standouts Paul Guinan creator of Boilerplate, David Chelsea, acclaimed graphic novelist, Mike Richardson, founder of Dark Horse Comics and many others. Continue reading... “24 Hour Comic – Feature Documentary”
Filmmaker Andy Koontz’s debut feature Ekimmu/The Dead Lust will screen at the Clinton Street Theater on Saturday May 6th as a double feature with Brian Padian’s debut feature film The Black Sea Movie. Both films were made independently and took over a decade to be fully realized with minimal resources. But the films share something else in common: both directors are also brain tumor survivors. “We met online and realized we had these things in common and wanted to have a screening to celebrate cinema and being alive” says Padian. Continue reading... “Double Feature – Ekimmu/The Dead Lust & The Black Sea”
‘Five Easy Pieces’ 1970: Karen Black and Jack Nicholson
This is an excerpt from the photo book being written by Oregon Filmmaker Katherine Wilson:
50 Years of Oregon Film, from Hollywood to Cinematic Literary Voices 1968 -2018
Five Easy Pieces & Poetic Cinema: the 1st Oregon Film of Jack Nicholson
There is a quote I love from Jack Nicholson about the low budget existential westerns he made in the early 60’s with Director Monte Hellman (Ride in the Whirl Wind & The Shooting) for Roger Corman: “Roger wanted some good Tomahawk numbers with plenty of Ketchup, but Monte and I were into these films on another level.” Continue reading... “Oregon Poetic Cinema Filmmaker Jack Nicholson Turns 80”
Behind the scenes, the Oregon animation studio, LAIKA, is an amazing collection of animators, artists, cutting-edge tech, and good, old-fashioned story-telling, and this fall you will be able to explore LAIKA’s “creative process” from start to finish at the Portland Art Museum.
Documentary Editing
Wednesdays, April 12 – June 7
6:30-9:30 pm
Northwest Film Center, 934 SW Salmon Register online now.
You have all the footage, now what? This class teaches the techniques and process of editing a no/low budget documentary film, either from footage that you have already generated, or from footage provided by the instructor or another member of the class. Get comfortable with editing software and workflow, and receive hands-on instruction for organizing and sequencing the material into a cohesive and engaging story. Continue reading... “Documentary Editing With Pam Minty”
We were recently approached by, Theo Friedman, a University of Oregon business alumnus, with an idea to create a report for the rookie filmmaker that would look at providing some answers to how projects get made. Oregon Film, in conjunction with the University of Oregon’s Film Organization, was able to introduce Friedman to a handful of Oregon filmmaker insiders and once all the information was in, Friedman created his report, that if you are curious you can check out here:
Thrilled to announce that Portland made 
Filmmaker Andy Koontz’s debut feature 
