The Oregon film community's official blog.
[youtube]http://www.youtube.com/watch?v=6vQtexA0p3U&feature=player_embedded#at=48[/youtube]Go behind the scenes of Episode 315, “The Big Bang Job” with director/co-executive producer Marc Roskin and visual effect supervisor Mark Franco.
I thought this was a good look at what goes on behind the scenes of the TNT show Leverage, shot here in Oregon.
Ricky Guillen
Oregon Film Intern.
YouTube – Videos from this email
There are some scheduled changes that will take place as of April 1, 2011 in the AFM Commercials Contract and the SAG/AFTRA Commercials Contracts for both radio and television which will affect advertising costs.
AFM Pension contributions increase to 13.08% on April 1, 2011. This is a Federally mandated increase that was scheduled for implementation in two phases. The first increase took place on June 1, of 2010 (to 12.48%) with the second increase to 13.08% scheduled to take effect on 4/1/11.
It was a great evening last night in Salem as the special screening of “Meek’s Cutoff” was bigger than anticipated. We’re waiting on the final tally of ticket sales but we’re expecting between 400 and 500 total tickets were sold for the event. Prior to the screening we hosted a reception for several legislators, industry members, and cultural trust board members. We were expecting about 10 legislators to come to the event but my last count was 16 including Senate President Peter Courtney and Speaker of the House Arnie Roblan.
2010 marked a record year for films made in Oregon—and by Oregon filmmakers—to screen at the ashland independent film festival. For the upcoming 10th Annual festival, April 7-11, 2011, we are very pleased to include even more Oregon-made films, including our Locals Only program, and our Launch Regional Student Film Competition.
A number of AIFF alumni return to the festival this year. Portland-based Peter D. Richardson (Clear Cut: The Story of Philomath, OR) returns to Ashland with How to Die in Oregon, winner of the 2011 Sundance Film Festival Grand Jury Prize; and Irene Brodsky (Hear and Now and The Final Inch) returns with the World Premiere of her account of the BP Gulf Oil Spill, Saving Pelican 895.
Produced by Dr. Carter Soles, the Indy film incubator Fleem Productions announces the release of “A Tale of Persephone,” their second fiction film. A film noir coming-of-age story, this artsy adaptation of the mythic transformation of the Princess of the Grain into the Queen of the Underworld follows up Fleem’s debut, the award-winning 2008 sci-fi parody “Spidertron”.
Shot on location in Oregon, “A Tale of Persephone” features backdrops in Eugene, Portland, and Lowell. The film is set to a stunning soundtrack packed with renowned regional and international performers like Halie Loren, Ben Darwish, and The Parson Red Heads, as well as NYC musicians Jonathan Pieslak and Æ.
[youtube]http://www.youtube.com/watch?v=H9maLZSzY78[/youtube]
We here at Orgeon Film are excited to see this come from Oregon Company LAIKA/house, from right here in Portland Oregon. Congratulations on a great ad campaign LAIKA/house. For those of you not familiar with all the great work coming out of this studio, definitely check out their site!
Polluted Pictures is proud to debut the poster for our film “Cell Count” which is currently in Post Production.
For latest news about the film and exclusive content please become a fan on the newly formed Facebook CELL COUNT MOVIE page.
The 8th annual BendFilm Festival opens call for entries! Declared “an important creation for filmmakers” by Gus Van Sant, BendFilm puts its focus on filmmakers, catering to their every need. Submit your film to the BendFilm today!! ** Only a few more days to take advantage of the Earlybird Deadline **
https://www.withoutabox.com/03film/03t_fin/03t_fin_fest_01over.php?festival_id=4813
Yesterday on the KGW 6:00 news was this piece. The Portland Police Department has been a great partner on two recent television Pilots – first “Brain Trust” and now “Grimm”. Having the cooperation of organizations like the Portland Police department make Oregon a friendlier place to film. Hopefully it’s a winning proposition for the bureau as well. It was also great to have KGW pick up the story and let’s hope the “Grimm” ends up on KGW’s primetime lineup in the fall!
After receiving good reviews at the Hollywood Theatre in Portland, the new independent movie, “FRANKLIN WUNDER” will have a second advance screening at 3pm on Sunday, April 3rd, at the Columbian Theatre in Astoria. Filmed in Portland & Astoria, the film is the tender story of a dying man searching for some meaning to his past … and of a young woman he meets searching for a meaning to her future. The screening is open to the public.
