The Oregon film community's official blog.
Read the PDF above for information on PSU.tvs Web Series that is being Produced this summer! If you are interested in applying, fill out this application to set up an audition time. OR email [email protected] if interested in being an extra.
Gus Van Sant’s new movie, “Don’t Worry, He Won’t Get Far On Foot” is set to come out July 13th. The film is based on the life of Oregonian cartoonist, John Callahan, and is played by Joaquin Phoenix, also starring are Jonah Hill, Rooney Mara and Jack Black.
Summer Workshop I: INTRO TO FILMMAKING, June 25-29, 2018 – SIGN UP HERE
Over the course of five days, participants will collaboratively develop, film and edit an original short film.
Ashland International Film Festival, BendFilm, and Portland Film Festival all made the cut for the MovieMaker 2018 “50 Best Film Festivals Worth The Entry Fee.”
Here is what MM had to say about each:
AIFF: “Submitting to screen at this five-day Southern Oregon fest comes with the promise that your film will be viewed and evaluated by more than one screener. Ashland Independent Film Festival’s crowd of over 7,000 fills out the art-deco Varsity Theatre, historic Ashland Armory, and other venues to take in over 90 doc, feature, and short selections.
Debra Granik’s #OregonMade “Leave No Trace” is one of 50 films that have been selected to screen during the Director’s Fortnight at the Cannes Film Fetsival this year. “Leave No Trace” already premiered at Sundance and received rave reviews. Sony Pictures Worldwide was quick to acquire international rights, and Bleecker Sreet has aquired North Americn rights. “Leave No Trace,” set in Portland’s Forest Park, tells the tale of Will and his teenage daughter, Tom, who “have lived off the grid, blissfully undetected by authorities in a vast nature reserve on the edge of Portland.
Spotlight on Roger Faires – Location Scout and Manager.
We caught up with Roger scouting a feature out in the field and asked him how he feels about living and working in Oregon. “I’ve been doing this long enough to not be surprised; about 31 years. Yet here in Oregon, I get surprised. Still. About once a project. Sometimes more. This is no one-trick pony state.
On Saturday May 5, at 2:00 PM at the enchanting Siren Theater, 315 NW Davis, archivists Elizabeth Peterson, Libby Burke, and Dennis Nyback will present a screening of selected films from the minor cinemas of Oregon.
FILM #1
Elizabeth Peterson will screen LUTHER METKE AT 94 (1979), directed by Jorge Preloren & Steve Raymen. 27 min, color, shot on 16mm.
“A portrait of Luther Metke who has lived in the Cascade Mountains of Oregon since 1907. Tells how he was a veteran of the Spanish American War, an early labor organizer, a poet, and a builder, and today serves as a vital and lucid example of the rural ethic in America.”
Koerner Camera Systems, based out of Portland, Oregon hosted their 2nd annual Pacific Northwest Lens Summit this month. This the largest trade show in the country that specializes in motion picture camera lenses. About 250 people came to see lenses, filters, FIZ controllers and focusing aids, anamorphics and adapters, gimbals, cameras, and camera robots presented by thirty different exhibitors.
There was live demonstrations, hands-on time with all the new gear, and presentations for professionals in the film and television industry.
Students at Portland State University are asking for help with their film as supporters of student filmmakers! Check out our Proof of Concept above.
Logline:
The lives of a sorority girl, a star athlete, an activist, and a low income student intersect at a college party that determines their true identities.
Synopsis:
Let’s just say that we’re big fans of both OPB and OHS, especially the original programming of the former and the film and media archives that are housed by the latter. And we’re always excited to watch the content that both of these great #OregonMade organizations create. And, yes, we’ve binged on Netflix’s Wild Wild Country but the roots of that incredible documentary are grown from several deep journalistic roots here in the state that should always be recognized.
The first is the incredible 20 part story from Les Zaitz in The Oregonian.
