Recent Posts

A New Movie Museum in Cottage Grove

June 30, 2026 / Oregon Film

House Special Announces Disney Special

June 26, 2026 / Oregon Film

PFCAT Creator Expo Now Open For Entry

June 1, 2026 / Oregon Film

In Memoriam: Brian Lindstrom

May 15, 2026 / Oregon Film

Cinema Unbound Week!

May 8, 2026 / Oregon Film

Cinema Unbound Week May 27–31

April 28, 2026 / Oregon Film

“The Bridge” Announces Inaugural Cohort

April 23, 2026 / Oregon Film

#OregonMade RefugeVFX and “Fallout” S2

April 22, 2026 / Oregon Film

Inaugural IWSFF Opens May 1

April 20, 2026 / Oregon Film

NW Documentary D.I.Y. Film Workshops Are Open For Enrollment!

NW Documentary’s D.I.Y. workshop series prepares students to write, direct, shoot, and edit their own short documentary! No prior filmmaking experience necessary.

Spring Workshops are as follows:

D.I.Y. Story Craft
Develop and workshop an in-depth creative treatment: leave ready to kickstart your next documentary project. Story Craft makes a great pairing with either of our D.I.Y. Documentary workshops!
Class runs Wednesdays, 6-8 pm starting February 28 and ending April 4.

D.I.Y. Documentary

From concept to creation to the big screen: bring your own documentary to life in only 10 weeks!

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#OregonMade “Leave No Trace” Acquired By Sony Worldwide + Bleecker Street

Debra Granik (“Winter’s Bone”) directed the #OregonMade “Leave No Trace”  premiered at Sundance at the end of last month.  After the rave reviews Sony Pictures Worldwide was quick to acquire international rights, and Bleecker Sreet has aquired North Americn rights. “Leave No Trace,” set in Portland’s Forest Park, tells the tale of  Will and his teenage daughter, Tom, who “have lived off the grid, blissfully undetected by authorities in a vast nature reserve on the edge of Portland.

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RAIDERS OF THE LOST ARCHIVE Kansas City Bomber (Jerrold Freedman, 1972)

This week our Raider/Contributor skates back to the 70’s to that highest of high times for that uber-niche genre of Roller Derby films. Whether you just barely remember Rollerball (the original) or your obsessed with Unholy Rollers, or you are more of a Roller Derby Modernist and rely on Rollerball (the remake) and Whip It, you must acknowledge that the Godmother of them all is Kansas City Bomber. But did you know that KC was actually happiest Portland? Raider/Contributor Phil Oppenheim takes us under the laces and beneath the helmet(less)s of the 1972 Raquel Welch classic…

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#OregonMade Outdoor Adventure Film Grant – SUBMISSIONS DUE!

Don’t forget to get your application in for the $18,500 Outdoor Adventure Film Grant, plus supporting in-kind donations from Koerner Camera, Mission Control and Digital One, now open at the #OregonMade Creative Foundation.

Submissions are due on January 31 – Time is Running Out!

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Karen Doesn’t Dream (2018) – Teaser

 

Over the course of the last year, Portland State University Television (PSUTV) has been creating a feature film: Karen Doesn’t Dream.

This psychological drama follows Karen, a 27 year-old porn store employee and Seaside resident. Karen’s job has always been dreary and monotonous, serving the tourists and tenants of Seaside. But that was before she found the sleep tapes… To what extent will Karen feed a growing addiction, and what will this addiction bring out of her?

Produced and created by PSU Students, the project involved over 150 volunteers and thousands of hours of work.

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Portland and Ashland Voted Best Places To Live + Work By MovieMaker

MovieMaker Magazine has annouced their “Best Places to Live and Work as a moviemaker” with Portland coming in at #11 in the “Big Cities” category, and Ashland at #5 in the “Small Cities” category.  Ashalnd was  beaten out by New Orleans, Savannah, Santa Fe, and Pittsburg, and Portland by Atlanta, Vancouver (BC), Los Angeles, Chicago, New York, Albuquerque, Boston, Toronto, Austin and Montreal.

Director Alessandro Circiello shoots Magic Carpet, the Search for Now in Ashland.
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#OregonMade Netflix Series, “Everything Sucks” Will Premiere Feb 16th, 2018

https://youtu.be/hf_YjzEvYeQ

Everything Sucks” is the latest #OregonMade series to hit TV screens and set to air February 16th.  This newest Netflix series is described as a high school coming-of-age dramedy, set in the late 1990’s in Boring, Oregon.  It shot 10 episodes last year in Oregon City, Boring and Fort Rock.

“Everything Sucks” was created by Ben York Jones, and Michael Mohan, and is produced by Midnight Radio.  The series is described as a, “quirky, funny coming-of-age story that follows two groups of high school misfits, an A/V club and a Drama club who collide in 1996 Oregon.

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RAIDERS OF THE LOST ARCHIVE #Blockbuster&Chill: Brutal Beauty: Tales of the Rose City Rollers (Chip Mabry, 2010)

The New Year (literally) rolls in with a vengeance this week as our intrepid Raider/Contributor takes us behind the scenes of Portland’s much beloved Rose City Rollers. There’s language to be wary of below and in the film itself, so if that kind of thing isn’t your proverbial cup’o’tea then stop here; but if that doesn’t daunt you, then paste on your Cadillac tattoo, strap on your helmet, lace-up your skates and bring your best James Caan and Raquel Welch impersonations because this week, we’re embracing Brutal Beauty.

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“American Vandal” Shooting In Portland Metro

Hot off the success of the first season of  Netflix’s “American Vandal,” season 2 has begun shooting in the metro Portland area. This mockumentary, created by Tony Yacenda and Dan Perrault, will consist of another 8 episodes. The show spoofs popular true crime documentaries like Netflix’s “Making a Murderer” and “Serial” and as in season 1, season 2 will focus on soving another crime in a new high school.

#OregonMade

 

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R2C Group Lands LendingTree

#OregonMade R2C, Portland’s largest creative agency, (with offices in Portland, San Francisco, Providence, R.I and Philadelphia) has landed the job of media partner for the online loans company, LendingTree. The Portland Business Journal noted that AdWeek reports indicated that LendingTree had a media budget of $126.5 million in 2016.  R2C will be servicing part of that budget.

R2C, founded in 1998 by Michelle Cardinal and Tim O’Leary, is a data-driven creative media agency.  They will be handling media planning, buying and TV and radio analytics for LendingTree.

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