Recent Posts

Central Oregon Featured in NatGeo Short

July 7, 2025 / Oregon Film

Laika Talks to Indiewire

June 30, 2025 / Oregon Film

EOFF Wraps Up Filmmaker Field Trips

June 30, 2025 / Oregon Film

Short Film Impact Grants Awarded

June 27, 2025 / Oregon Film

More Screenwriting Workshops Start July 7

June 21, 2025 / Jeff Rutherford

Dallas Joins the Oregon Film Trail

June 13, 2025 / Oregon Film

Case Study: Making Indie Movies in Oregon

June 13, 2025 / Oregon Film

Who We Are and What We Do (June 2025)

June 5, 2025 / Oregon Film

Oregon Director Wins at LALIFF

June 3, 2025 / Oregon Film

#OregonMade “Nora” Premieres on VEEPS

May 31, 2025 / Oregon Film

New Podcast: Oregon Indie Film

May 28, 2025 / Oregon Film

Portland Post Production Grant Awardees

May 21, 2025 / Oregon Film

Destination Oregon: The Oregon Film Trail

April 14, 2025 / Oregon Film

New Round of Screenwriting Workshops Start May 5

April 14, 2025 / Jeff Rutherford

Oregon Film Impact Grants for Short Films

April 9, 2025 / Oregon Film

An Official Trailer Is Out For Gus Van Sant’s, “Don’t Worry, He Won’t Get Far On Foot”

Gus Van Sant’s new movie, “Don’t Worry, He Won’t Get Far On Foot” is set to come out July 13th.  The film is based on the life of Oregonian cartoonist, John Callahan, and is played by Joaquin Phoenix, also starring are Jonah Hill, Rooney Mara and Jack Black.

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POWGirls Announces Summer 2018 Workshops

POWGirls offers workshops in video production, cinematography, audio recording, set lighting, digital editing and media literacy for girls and non-binary youth ages 15-19. Our instructors are working media producers who inspire participants to be creative, tech-savvy leaders who will help realize gender equity in the film industry. All films produced during POWGirls workshops are screened at the Portland Oregon Women’s Film Festival (POW Film Fest).

Summer Workshop I: INTRO TO FILMMAKING, June 25-29, 2018SIGN UP HERE

Over the course of five days, participants will collaboratively develop, film and edit an original short film. 

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Ashland, Bend + Portland Film Fests Again Make MovieMaker’s “Best 50 Film Fests Worth The Entry Fee”

Ashland International Film Festival, BendFilm, and Portland Film Festival all made the cut for the MovieMaker 2018 “50 Best Film Festivals Worth The Entry Fee.”

Here is what MM had to say about each:

AIFF: “Submitting to screen at this five-day Southern Oregon fest comes with the promise that your film will be viewed and evaluated by more than one screener. Ashland Independent Film Festival’s crowd of over 7,000 fills out the art-deco Varsity Theatre, historic Ashland Armory, and other venues to take in over 90 doc, feature, and short selections.

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“Leave No Trace” Selected For Director’s Fortnight At Cannes


Debra Granik’s #OregonMade “Leave No Trace” is one of 50 films that have been selected to screen during the Director’s Fortnight at the Cannes Film Fetsival this year.  “Leave No Trace”  already premiered at Sundance and received rave reviews.  Sony Pictures Worldwide was quick to acquire international rights, and Bleecker Sreet has aquired North Americn rights. “Leave No Trace,” set in Portland’s Forest Park, tells the tale of  Will and his teenage daughter, Tom, who “have lived off the grid, blissfully undetected by authorities in a vast nature reserve on the edge of Portland.

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Spotlight On Location Professional – Roger Faires

Roger Faires in the high desert of Oregon scouting for ” Meek’s Cutoff.” Photography by Simon Max Hill

Spotlight on Roger Faires – Location Scout and Manager.

We caught up with Roger scouting a feature out in the field and asked him how he feels about living and working in Oregon. “I’ve been doing this long enough to not be surprised; about 31 years. Yet here in Oregon, I get surprised. Still. About once a project. Sometimes more. This is no one-trick pony state.

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Selected Films From The Minor Cinemas Of Oregon@Siren Theater, May 5, 2:00 PM

On Saturday May 5, at 2:00 PM at the enchanting Siren Theater, 315 NW Davis, archivists Elizabeth Peterson, Libby Burke, and Dennis Nyback will present a screening of selected films from the minor cinemas of Oregon.

FILM #1

Elizabeth Peterson will screen LUTHER METKE AT 94 (1979), directed by Jorge Preloren & Steve Raymen. 27 min, color, shot on 16mm.

“A portrait of Luther Metke who has lived in the Cascade Mountains of Oregon since 1907. Tells how he was a veteran of the Spanish American War, an early labor organizer, a poet, and a builder, and today serves as a vital and lucid example of the rural ethic in America.”

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2nd Pacific Northwest Lens Summit – Largest In The Country

Photo: Adam Wilt, Film & Digital Times

Koerner Camera Systems, based out of Portland, Oregon hosted their 2nd annual Pacific Northwest Lens Summit this month. This the largest trade show in the country that specializes in motion picture camera lenses. About 250 people came to see lenses, filters, FIZ controllers and focusing aids, anamorphics and adapters, gimbals, cameras, and camera robots presented by thirty different exhibitors.

There was live demonstrations, hands-on time with all the new gear, and presentations for professionals in the film and television industry.

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“Droplets” Proof of Concept – Crowdfunding Reach

Students at Portland State University are asking for help with their film as supporters of student filmmakers! Check out our Proof of Concept above.

Logline: 

The lives of a sorority girl, a star athlete, an activist, and a low income student intersect at a college party that determines their true identities.

Synopsis:

Droplets is a story about racism, sexuality, mental health, and human rights. It depicts the lives of four college students: Daphne, Gerard, Leo, and Michael. These students all struggle with their identity in a far from perfect world.
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RAIDERS OF THE LOST ARCHIVE “Rajneeshpuram” episode of The Oregon Experience (2012)

Let’s just say that we’re big fans of both OPB and OHS, especially the original programming of the former and the film and media archives that are housed by the latter. And we’re always excited to watch the content that both of these great #OregonMade organizations create. And, yes, we’ve binged on Netflix’s Wild Wild Country but the roots of that incredible documentary are grown from several deep journalistic roots here in the state that should always be recognized.

The first is the incredible 20 part story from Les Zaitz in The Oregonian.

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#OregonMade Screenwriter’s Residency Award

The OregonMade Creative Foundation, Northwest Film Center and Playa Summer Lake announce the second year of a unique residency opportunity for screenwriters and filmmakers.

This program calls for proposals from screenwriters, filmmakers and related creators to work on a script/story/pitch/narrative project during a 4-week residency at Playa in Summer Lake, Oregon.

The OregonMade Screenwriter’s Residency Award is open to Oregon Resident filmmakers, screenwriters and other creative teams (no more than 3) to develop and write a narrative project with a “western” theme that is set here in the Northwest.

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