With less than a month to go until Stand By Me Day 2022 (July 23rd), the Linn County Historical Museum and the historic town of Brownville are busy putting the final touches on its biggest celebration yet. In honor of the 36th anniversary of the release of this movie classic, they are pulling out all the stops! Stand By Me Day falls on a Saturday this year giving the town the opportunity to welcome fans from all over the world. Continue reading... “Stand By Me Day Is Back! July 23rd – Brownsville, Oregon”
Since 2016, the Hollywood Theatre has partnered with the Oregon State Parks Department and Oregon Film to produce a series of outdoor screenings. This year, we’re celebrating 100 years of Oregon State Parks with four special screenings honoring the past, present, and future. We hope you’ll join us in celebrating the 100th anniversary of Oregon State Parks! Follow the fun online with #oregonstateparks100.
This year’s line up includes: Jurassic Park, Mars Attacks!, Back to the Future Part II and Encanto.
Nathan Fielder’s long-awaited next project, The Rehearsal, is set to premiere on HBO and HBO Max, July 15th. This six-episode show marks Fielder’s return to television. The official press release describes the new series as one that “explores the lengths one man will go to reduce the uncertainties of everyday life. With a construction crew, a legion of actors, and seemingly unlimited resources, Fielder allows ordinary people to prepare for life’s biggest moments by “rehearsing” them in carefully crafted simulations of his own design. Continue reading... “#OregonMade, Nathan Fielder’s “The Rehearsal” Set To Premiere On HBO & HBO Max, July 15th”
What has Oregon Film been up to? – After assuring our industry worked so well through the turbulent pandemic period with several projects of all sizes, 2022 started off with a slow down. Needless to say, Oregon is still attractive and a great place to bring your creative production. Recently we worked with the state legislature and partners like the OMPA and the IATSE and SAG-AFTRA unions to increase the film and media cash rebate percentages from 18% to 25%. In addition, the annual funding for the OPIF program increased from $14M to $20M. Continue reading... “Oregon Film: Who We Are & What We Do (Update 2022)”
#OregonMade Hinge Digital won anADDY Award at the national level for Alpenrose’s “Keep Portland Small” campaign. Hinge won the ADDY at the 2022 American Advertising Awards in the Animation, VFX & Motion Graphics category. That’s after winning multiple Gold ADDYs in Seattle this spring.
Big congrats to all of Hinge’s amazing artists who created this charming CG stop-motion style world.
Special shout out to the Columbia Gorge Model Railroad Club 🚂 for their help and inspiration.
Picture This has been creating some terrific in-camera VFX and XR production work.
In camera VFX/ XR production is the exciting new ability to shoot anywhere, any time and at any scale in a single, controlled location. This cutting edge tech uses large-scale LED backdrops and camera tracking tied to 3D rendering software to create the illusion of a subject in a virtual environment.
After a two-year pandemic delay, Southern Oregon University has launched its innovative, new, 12-credit spring immersion course called “The Crew Experience.” Student filmmakers spend an entire term learning on location, collaborating under the supervision of faculty and experienced industry mentors on the set of a significant film project designed to emulate the professional working environment.
IATSE Local 488 is hosting a free class about demystifying our union and union film crew work on June 1. Please share this information with anyone you think may be interested. We’ve also included a graphic with the info if that’s easier. Thanks so much for your help!
Wednesday, June 1, 6:00 PM on Zoom
Presentation followed by Q & A
It’s time to dispel some of the myths and mysteries of working on a union film crew.
IATSE Local 488 is the union that covers most Pacific Northwest crew positions/Crafts on motion picture, TV/Streaming, commercials and other digital media productions.
The Portland Film Office, in partnership with Travel Portland, has announced the recipients of its 2022 Portland Post-Production Grant Program. Selected from a pool of 23 applicants, four local filmmakers will receive $7,500 each for their respective projects.
The grant program is intended to support the professional development of local Portland filmmakers by providing funds for such activities as sound, picture editing, color matching, color grading, closed caption, tech specs for distributors, and music clearances using local post-production houses. Continue reading... “Four Local Film Projects Awarded Post-Production Grants”
Participation in this training is the first step towards securing PA opportunities via the Oregon Media Pathways Program, which helps place folks from underrepresented communities in paid positions on set. If you’re looking for training and access to paid opportunities as a production assistant, head over to the link in bio to apply! Priority will be given to BIPOC and marginalized folks.
Here is a direct link to the application form.
And here:
This year’s line up includes: Jurassic Park, Mars Attacks!, Back to the Future Part II and Encanto.
What has Oregon Film been up to? – After assuring our industry worked so well through the turbulent pandemic period with several projects of all sizes, 2022 started off with a slow down. Needless to say, Oregon is still attractive and a great place to bring your creative production. Recently we worked with the state legislature and partners like the 
Big congrats to all of Hinge’s amazing artists who created this charming CG stop-motion style world.
Picture This has been creating some terrific in-camera VFX and XR production work.
Students had to apply and interview for their crew positions and were placed based on the experience, skill levels and portfolios of work they have accumulated in preceding classes. 
The grant program is intended to support the professional development of local Portland filmmakers by providing funds for such activities as sound, picture editing, color matching, color grading, closed caption, tech specs for distributors, and music clearances using local post-production houses. 
Participation in this training is the first step towards securing PA opportunities via the