The Confluence – Page 116 – The Oregon film community's official blog.

TLC’s “Long Lost Family” – Latest Episode Features Jacksonville’s Nunan House

Tune in to TLC on Monday, December 17 to catch episode 9 of the new Season 5 of TLC’s “Long Lost Family” which features The Nunan House in Jacksonville.

“Long Lost Family” follows the touching stories of people who have suffered a lifetime of separation and are yearning to be reunited with their birthparents and biological families or find children they had to place for adoption long ago. It airs on TLC at 9pm.

You can also find the Nunan House in our Location Database as well as rent it for a vacation from AirBnB.

2nd Annual Outdoor Adventure Film Grant – “Oregon’s Outdoors Are For Everyone” – Closes January 31st!

The second annual Outdoor Adventure Film Grant – “Oregon’s Outdoors Are For Everyone” is open for applications – closes January 31st.

The Grant is being provided by the #OregonMade Creative Foundation in conjunction with Travel Oregon. This grant will provide $20,000 in funding to enable the selected applicant to create a short film that specifically showcases the diversity of people, spirit, passion, and excitement of the outdoor-adventure, or, action sports film genres in the state of Oregon. This program specifically looks to support and encourage diversity of filmmaker and/or the subject matter, in front of and/or behind the camera.

Debra Granik Wins Best Director from LAFCA For #OregonMade “Leave No Trace”

The L.A. Film Critic Association (LAFCA) awarded Debra Granik with Best Director for her #OregnMade film, “Leave No Trace.” The winners will be awarded their honors at the January 12th gala in Century City. Congrats Debra!

We always knew that #OregonMade films, series, docs, animation and interactive games were among the best in the nation – but now the New York Times has validated our belief. Both Debra Granik’s “Leave No Trace” and Andrew Haigh’s “Lean on Pete” appear on the paper’s recent “Best of” list – that’s 2 out of 8, not bad.

Spotlight On Location Professional – Mathew Noack

Mathew Noack at the top of the Gorge, Oregon.

Born and raised a boy scout in rural Oregon, Mathew Noack is a true son of the state. Upon graduating high school, he dug deep into the Oregon soil, pulled up his roots and posted sail. Catching eastward winds, he landed in Colorado, Texas and eventually Florida. This is where he completed his film degree at what was then Full Sail Real World Education, now Full Sail University.

Returning to Oregon, he spent seven years trying to find a sustainable place for himself in the media production industry.

Oregon Shines In The New Rivian Electric Pickup Truck Commercial – “The Clean Escape”

https://www.youtube.com/watch?v=H7XqPB6-NSA&feature=youtu.be

#OregonMade, “The Clean Escape” makes the state shine in the new Rivian electric pickup truck commercial. From the Astoria-Megler bridge to the Pearl in downtown Portland, Mount Hood, the Rowena curves, and back out to the beach – just some of the locations covered in this one. The Rivian is billed as the “Worlds First Electric Adventure Vehicle”. When asked about working on the shoot, Location Scout and Manager, Beth Melnick responded, “It was inspiring to work on a commercial promoting clean technology that supports our number one pass-time here in Oregon, exploring the out of doors.

WORKING LUNCH Short Film by Shilpa Sunthankar to have Portland Premiere

Portland, Oregon – December 3, 2018 – The much anticipated short film, WORKING LUNCH, by Portland-based Director and Producer, Shilpa Sunthankar, is set to have the Portland Premiere on Wednesday, December 12, 2018 at The Whitsell Auditorium. Director Shilpa Sunthankar will be in attendance.The film previously had a successful world premiere at the 19th Annual Filmi: Toronto’s South Asian Film Festival and was selected as part of the 2018 Fall Screening Series by New Filmmakers, New York.

Statement by Shilpa Sunthankar: “At its heart WORKING LUNCH is a portrayal of our current national conflict, in miniature, via a tiny Indian restaurant.

Four #OregonMade Film Projects Win 2018 Portland Post Production Grants

The Portland Film Office, in partnership with the Oregon Made Creative Foundation, has announced the recipients of its first Portland Post Production Grant Program. Selected from a pool of twenty applicants, four local filmmakers will receive $5,000 for their respective projects.

The grant program is intended to support the professional development of local Portland filmmakers by providing funds for such activities as sound, picture editing, color matching, color grading, closed caption, tech specs for distributors, and music clearances using local post-production houses.

Call for Entries – McMinnville Short Film Festival!

Our Early Bird Deadline is THIS SATURDAY – December 1! Save $5 on your entry fee by submitting your film before end of day Saturday.

Visit http://mcminnvillefilmfest.org/Submit for more information and how to submit via FilmFreeway.

We look forward to showcasing YOUR film!

OPIF Tax Credit Auction – December Edition

The Oregon Department of Revenue will be holding another auction for approximately $1M in tax credits for the 2018-19 Oregon Production Investment Fund (“OPIF”). The auction will be held for 3 days only from Wednesday to Friday, December 5-7, 2018. The credits will be sold in $500 increments and the minimum bid will be 95% of face value (i.e. $475 for a $500 credit). Multiple increments can be purchased. The auction site will open at 9a on Wednesday, December 5 and will close at 5p on Friday, December 7th.

“Bend of the River” – A Fundraiser for the Human Access Project

Riverfolk! Cinema lovers! Don’t miss this epic film showing the awesome grandeur of Oregon on the silver screen! Bend Of The River, starring Jimmy Stewart, is one film every Oregonian (and transplants) should see at least once.

Get on your western duds and join the Human Access Project for this vintage classic shot in Oregon – with the best scenes of Mt. Hood, area rivers, and “Portland” ever put on film. Released in 1952, it’s a rip-roaring western – with danger, reward, romance, and “viewpoints” seen through the eyes of settlers on an Oregon Trail wagon train.

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