Behind the scenes, the Oregon animation studio, LAIKA, is an amazing collection of animators, artists, cutting-edge tech, and good, old-fashioned story-telling, and this fall you will be able to explore LAIKA’s “creative process” from start to finish at the Portland Art Museum.
OPB Television’s “Oregon Art Beat” took a look at what makes Astoria a unique arts town and tourism center this month, including this segment featuring the Oregon Film Museum:
Producer Katrina Sarson takes us on a tour of the Oregon Film Museum in Astoria. The museum highlights and celebrates movies that were made in the state of Oregon, housed in the old Clatsop County Jail. Make your own movie, be inspired by The Goonie Gallery and learn more about the history of movie making in our own state! Continue reading... “Oregon Art Beat Highlights Oregon Film Museum”
The 2017 Academy Award nominations are out! Among them are two nominations for LAIKA‘s #OregonMade “Kubo And The Two Strings” – Animated Feature, and Visual Effects!
Our clients are saving significantly thanks to wider adoption of the new LED lighting technology. The potential power differential can as as great as 75% when compared to incandescent lighting. Although LED lighting has been around for a decade it’s use in Film/ TV production has been limited largely to panel lights. Which were mainly used in field production. In that context they were competing to replace existing fixtures which pulled less than 15 Amps. Which is the capacity of most household plugs. Continue reading... “Local Studios Are Saving Both Energy And Money Using LED Lighting”
Portland, OR August 15, 2016: Bent Image Lab, announces their Augmented Reality platform, “youAR”TM, is coming out of stealth mode into alpha testing.
For the last three years, Bent has been developing youARTM along with computer vision technology and systems enabling multiuser, real-time, markerless AR content to be viewed with a single lens smartphone.
With the advancements in LED lighting fixtures and HMI ballasts, controlling light fixtures with DMX signals has become both easier and much more precise. These advancements have ushered in new possibilities for control which is both quicker, easier and more economic than ever before.
While DMX control has been common in Theatrical settings for quite some time, only recently has advances in fixture design made this practical for TV/Film sets. DMX 512 is the standard communication protocol used in Entertainment industry products. Continue reading... “The Digital Revolution in Lighting”
Oregon Story Board is holding office hours this Friday, beginning at 3pm – “learn all about Oregon Story Board by socializing with OSB staff and board members as well as the Digital Storytelling community that surrounds it.”
You may remember recently that Clackamas Community College and Oregon Story Board received a $100,000 grant to develop skilled workers and new programs around the Microsoft HoloLens – well – Lund explained to the Portland Business Journal, on why Portland is perfectly placed to make a splash in the new world of virtual and augmented reality development. Read the article here.
Writer & Director & Producer — Bryan R. Thompson
Director of Photography — Jeremiah L. Scott
PA- Benjamin James
Gaffer: Steve Waters
Sound: Jeff Scott Taylor
Editor & Color: Bryan R. Thompson
Hair & Make-up / Costume Design — Alicia Watkins
re saving significantly thanks to wider adoption of the new LED lighting technology. The potential power differential can as as great as 75% when compared to incandescent lighting. Although LED lighting has been around for a decade it’s use in Film/ TV production has been limited largely to panel lights. Which were mainly used in field production. In that context they were competing to replace existing fixtures which pulled less than 15 Amps. Which is the capacity of most household plugs. 
With the advancements in LED lighting fixtures and HMI ballasts, controlling light fixtures with DMX signals has become both easier and much more precise. These advancements have ushered in new possibilities for control which is both quicker, easier and more economic than ever before.
While DMX control has been common in Theatrical settings for quite some time, only recently has advances in fixture design made this practical for TV/Film sets. DMX 512 is the standard communication protocol used in Entertainment industry products. 
Oregon Story Board is holding office hours this Friday, beginning at 3pm – “learn all about Oregon Story Board by socializing with OSB staff and board members as well as the Digital Storytelling community that surrounds it.”
