2015 Oregon Music Hall of Fame inductee Jerry Joseph launches “Mars”, the first video from his upcoming double vinyl album, By The Time Your Rocket Gets To Mars, available April 15 from Voodoo Doughnut Records / Cosmo Sex School,with an exclusive premiere on Relix.com
“I was walking down the beach in Chicago years ago talking about technology with a couple of current captains of the tech industry. They were heavily invested in Elon Musk and discussing his plans to have a person on Mars in 20 years.Continue reading... “Jerry Joseph, Voodoo Doughnut Recordings, & Lower Boom”
We worked with Director Mischa Webley to produce this music video. Always a blast to collaborate with new creative talent in PNW.
This is not a Revolver DMS Production.
blu — Katie Michels
Entertainer — Sean Mcgrath
Young Blu — Lana Sage
Mother — Brandi Seymour
Father — Jonni Armani
Writer & Director — Mischa Webley
Director of Photography — Jeremiah L. Scott
Producer — Benjamin James
Gaffer: Steve Waters
Key Grip: Aaron Nelson
Editor: Bryan R. Thompson
Color — Jordan Snider
Visual Effects — Tess Nelson
Hair & Make-up / Costume Design — Arlen Hizon
JOAN original score by Mark Orton from Lower Boom.
LOWER BOOM, a Portland, Oregon based studio that innovates in the production, distribution and marketing of micro-budget films, announces the release of the soundtrack for it’s newest film, JOAN. The score, composed and produced by Mark Orton, is available as a beautifully packaged CD and also available worldwide at all digital stores and streaming services including iTunes.Continue reading... “LOWER BOOM Releases Soundtrack For Newest Film: JOAN”
Portland Opera and the Oregon Museum of Science and Industry (OMSI) will expand their collaborative “Opera on Screen” film series this fall. “Opera on Screen” began in September 2014 with high-definition screenings of four San Francisco Opera productions.
The 2015 series will include four new San Francisco Opera titles—Verdi’s Aida, the Gershwins’ Porgy and Bess, Donizetti’s Lucrezia Borgia, and Mussorgsky’s Boris Godunov—as well as two bonus screenings—a Halloween weekend duo of The Phantom of the Opera with Lon Chaney and Brian De Palma’s cult classic, Phantom of the Paradise, a contemporary adaptation of The Phantom of the Opera.
The Northwest Film Center is holding a four day intensive studio on composing for film from October 22-25. Taught by Nebraska composer Mark Orton, and for filmmakers and musicians of all experience levels. Students will spend days one and two at the Film Center getting an overview of the particularities of film composing and to establish filmmaker-musician teams. Days three and four will be held at Dead Aunt Thelma’s Studio in SE Portland and will be devoted to active composing for picture along with continuous director/composer score-feedback sessions, followed by in-studio live recording and mixing of the score. Continue reading... “Film Composing Studio With Mark Orton”
Portland based feature film to premier at the Slamdance Film Festival in Park City, Utah, January 23rd and 26th.
Birds of Neptune, a feature film by Steven Richter which was shot in Portland in 2013 will make its World Premier in Park City, Utah at the Slamdance Film Festival. With an all local Portland based cast and crew and a soundtrack from primarily PNW bands this is truly a local production.
Portland Opera and the Oregon Museum of Science and Industry (OMSI) will expand their collaborative “Opera on Screen” film series this fall. “Opera on Screen” began in September 2014 with high-definition screenings of four San Francisco Opera productions.
The Northwest Film Center is holding a four day intensive studio on composing for film from October 22-25. Taught by Nebraska composer Mark Orton, and for filmmakers and musicians of all experience levels. Students will spend days one and two at the Film Center getting an overview of the particularities of film composing and to establish filmmaker-musician teams. Days three and four will be held at Dead Aunt Thelma’s Studio in SE Portland and will be devoted to active composing for picture along with continuous director/composer score-feedback sessions, followed by in-studio live recording and mixing of the score. 