The 17th Annual Ashland Independent Film Festival runs April 12-16, 2018. photo by Al Case
The Ashland Independent Film Festival has announced its lineup for the five-day festival, April 12-16, 2018, screening in venues across Ashland and—for the first time—Medford. The year’s lineup includes over 120 films chosen from nearly a thousand films submitted to the festival, or specially selected by AIFF Artistic and Executive Director Richard Herskowitz. The entire program, including information about show times, live performances, art exhibits, filmmaker TalkBack panels, children’s programs, Community Conversations, and more is now online at ashlandfilm.orgContinue reading... “Ashland Independent Film Festival Announces 2018 Program Details”
To put it simply, there have been a lot of great movies made in Oregon. Going back more than 100 years to “The Fisherman’s Bride” in Astoria, through to Buster Keaton’s, “The General” shot in Cottage Grove; then moving into the westerns that took advantage of the diverse locations of Central Oregon and Mt. Hood – “True Grit”, “The Way West”, and “Bend of The River.” These were followed by musicals like, “Paint Your Wagon,” and classic indies like, “One Flew Over The Cuckoo’s Nest,” “Drugstore Cowboy,” and “Sometimes A Great Notion.” Continue reading... “#OregonMade 50th Anniversary Film Series – “My Own Private Idaho” April 2nd”
Adapted by Ian McEwan from his bestselling novel, ON CHESIL BEACH centers on a young couple of drastically different backgrounds in the summer of 1962. Photo courtesy of the Ashland Independent Film Festival.
This week our intrepid Archivist takes us into the heart and soul of Portland indie filmmaking with a recent classic, made on a proverbial shoestring, from prolific filmmaker Jon Garcia. If you don’t know Jon’s work, it’s worth starting with this one and then taking in his “The Falls” trilogy – making a day/night of it (see links below).
Over the course of the last year, Portland State University Television (PSUTV) has been creating a feature film: Karen Doesn’t Dream.
This psychological drama follows Karen, a 27 year-old porn store employee and Seaside resident. Karen’s job has always been dreary and monotonous, serving the tourists and tenants of Seaside. But that was before she found the sleep tapes… To what extent will Karen feed a growing addiction, and what will this addiction bring out of her?
MovieMaker Magazine has annouced their “Best Places to Live and Work as a moviemaker” with Portland coming in at #11 in the “Big Cities” category, and Ashland at #5 in the “Small Cities” category. Ashalnd was beaten out by New Orleans, Savannah, Santa Fe, and Pittsburg, and Portland by Atlanta, Vancouver (BC), Los Angeles, Chicago, New York, Albuquerque, Boston, Toronto, Austin and Montreal.
Doxx Magazine is a new digital publication dedicated to women documentarians. The online hub is a designated and creative place for the stories, work, and thoughts of female and non-binary nonfiction media makers. To enrich the local and national documentary communities, the magazine will archive filmmakers from Oregon and beyond.
Each issue will include interviews, profiles of historic documentary legends, field notes (submit here), industry-relevant articles, and a watch-list. A short teaser issue was launched last week, and includes conversations with Directors Lana Wilson (After Tiller, The Departure) and Amy Nicholson (Beauty School, Muskrat Lovely, The Zipper, Pickle). Continue reading... “Doxx Magazine Focuses On Women Documentary Filmmakers”
Comic-Con screening follows national distribution for Oregon comics doc
Cartoonist-stars Paul Guinan and David Chelsea join filmmaker Milan Erceg to celebrate 24 Hour Comic screening at San Diego Comic-Con International Independent Film Festival.
The biggest little indie feature doc in Oregon, 24 Hour Comic, screened at the San Diego Comic-Con International Independent Film Festival this July. Director Milan Erceg, whose film documents a marathon of comic book creation, says the recognition from Comic-Con film festival “is about the biggest honor we could have.” Continue reading... “Praise for 24 Hour Comic”
