Over the course of Oregon’s 103 year cinematic history, 300+ productions have made use of our diverse locations and home-grown talent pool. However, this summer will be the first time that we’ll be playing host to three television series shooting simultaneously – Leverage, Portlandia and Grimm – and all based in the Portland Metro area. It’s an incredibly exciting thing both for the city and Oregon’s film and television industry on the whole, but what does that mean for those of us not on set besides seeing an abundance of large trailers filling the streets near our office buildings? Continue reading... “Leverage and Portlandia and Grimm – Oh My!”
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The cast and crew of “Leverage” put together a video recently which puts a face to the types of jobs that have come here thanks to the Oregon Film Incentives. The video was also intended to be a word of thanks to Governor John Kitzhaber and the Oregon Legislature. Check it out. And be sure to check out the premiere episode of season 4 of “Leverage” this Sunday on TNT. The premiere episode shot on top of Mt. Hood this year, which was a first for the show. Continue reading... “The Cast and Crew of “Leverage” Extend Their Thanks”
As the Season 4 premiere of “Leverage” approaches, more and more photos and video footage is coming online to promote the premiere. This year the premiere episode takes place up on top of a mountain. The real mountain was Oregon’s Mt. Hood and in February, Mt. Hood gets A LOT of snow. During the shoot, the cast and crew endured an even bigger than normal snowfall but after enduring the elements, it’s apparent that they got a great premiere episode.
This week Entertainment Weekly’s website is featuring some behind the scenes footage from the show featuring Mt. Continue reading... “New Behind the Scenes Footage of “Leverage” Premiere”
If you’ve ever watched IFC then you’ve seen their signature quirky-cool ad campaign. But did you know that it was designed and created by Oregon-based Feel Good Anyway? Or that the 40+ special effects in the NBC movie “A Walk in My Shoes” were done by Portland’s visual effects company Hive-FX? Or if you’ve been to Canada lately and seen Koodo Mobile’s adorable spokesman El Tabador, that he was produced by Bent Image Labs based in – you guessed it – Oregon? Continue reading... “Wait, That Was Done In Oregon?”
Filmed entirely in and around Portland, A Walk In My Shoes tells the story of a stressed-out high school teacher who wrecks her car and finds herself living in the shoes of the mother of one of her students – a woman she had previously judged and criticized. The movie features over 40 special effects sequences used to underscore the ‘magic’ in the storyline – all of which were created by www.hive-fx.com at its Portland-based headquarters.
“Our contribution to this great movie goes to prove that you don’t have to go to Hollywood to get Hollywood-grade VFX,” said HIVE-FX partner Jim Clark. Continue reading... “Case Study: Hive FX brings VFX sizzle to “A Walk in My Shoes””
We’re lucky enough to have a local media community that by in large likes to write about the local projects. One journalist that stands out as a huge supporter of the local community is Kristi Turnquist. Yesterday the Oregonian published this interview with “Leverage” star Timothy Hutton. It was a nice interview and Timothy opened up about filming in Portland, this year’s premiere episode which was shot on Mount Hood, and the direction of Season 4.
For those of you who don’t know, “Leverage” is due to premiere season 4 on June 26. Continue reading... “Oregonian Interviews “Leverage’s” Timothy Hutton”
In early 2010, Oregon shop Feel Good Anyway began an intense journey into the heart of a network rebrand for IFC. IFC’s vision for the project was to extend the channel’s reach beyond indie film to include a wide selection of indie culture. Music, film, food, sex, gaming, internet shenanigans—all of these categories would be within IFC’s creative domain. They placed a particular emphasis on comedy as a focal point for the new brand, and everything from the logo to promos to the show packaging had to reflect the “Always On. Continue reading... “Case Study: Feel Good Anyway IFC Rebrand”
Following the successful effort to create a voice for the Oregon Film and Television community in the Oregon Confluence Blog, we recently convened a group of Oregon animation and visual effects professionals that we know, and asked them how a site dedicated to their segment of the industry might be received. After lots of lively conversation and great ideas, it became clear that there was great interest, and that it would be very helpful for drawing attention to the fact that Oregon has more than just great locations, amazing acting and crew talent, and not to mention, a terrific film incentive program. Continue reading... “OregonAnimation.com blog premieres today, come help us celebrate”
We love to report good news! Oregon Cartoon Institute recently reported that they with receive support from Miller Foundation and Kinsman Foundation for the first project for which had sought funding,The Mel Blanc Project. The Project officially begins on June 8, with the first lecture: “Now Cut That Out!”: Portland Theaters Educate Mel Blanc.

Oregon Cartoon Institute is a consortium of individuals and organizations working together to raise awareness of Oregon’s rich animation and cartooning history. Five organizations created the Mel Blanc Project: Oregon Cartoon Institute, Oregon Jewish Museum, Ethos Music Center, Oregon Historical Society and PSU’s School of Fine and Performing Arts. Continue reading... “Oregon Cartoon Institute Launches Mel Blanc Project”
Canada has a new hero and his name is “El Tabador”, a 4-inch tall Mexican wrestler who warms your heart, tickles your funny-bone, and effortlessly works in a few good words about Koodo Mobile.
El Tabador follows in a long tradition of Lucha Libre fighters. He’s part detective, ladies’ man, and a righteous defender of justice and the creation of Portland-based Bent. To meet this brief, Bent drew Director Rob Shaw’s vast knowledge of Lucha Libre culture and worked closely with the TAXI 2 to design Tabador from first sketch to final computer-generated character. Continue reading... “Case Study: Bent Image Labs and Koodo Mobile”