RESERVE THIS DATE – SATURDAY, JANUARY 26TH! The Ninth Annual OpenLens Festival is a celebration of the independent spirit in Oregon filmmaking. This year’s event features a film critic seminar, a meet-the-filmmaker public reception, film screenings, and a closing reception and awards ceremony. The Saturday, January 26th Festival will be held in the UO Baker Center Auditorium at 320 E. 10th Street in Eugene.
This is the third year the Short Film/Video Competition has accepted films from across the entire state of Oregon.
At Oregon Film & Television’sAnnual Meeting last night, we were able to honor some amazing Film Advocates who have been integral to the film and television industry.
Governor Kitzhaber presents the Film Advocate Award to Derrick Roberson, Sergeant Erin Smith and Sergeant Peter Simpson (photo: Frank DiMarco)
Steve Oster (Producer, “Grimm“) announced the Film Advocate Awards that were presented to Derrick Roberson,Sergeant Erin Smith, and Sergeant Peter Simpson by Governor Kitzhaber.
Feature film highlights include Lynn Shelton’s YOUR SISTER’S SISTER, starring Rosemarie DeWitt, Emily Blunt, and Mark Duplass; James Westby’s RID OF ME starring Katie O’Grady; a special FREE 50th Anniversary screening of POLLUTION IN PARADISE, the 1962 KGW-8 produced film that documents the beginning of the environmental movement in Oregon that became the hallmark of former Governor Tom McCall’s tenure; and closing the Festival is Matt McCormick’s THE GREAT NORTHWEST. Continue reading... “39th Northwest Filmmakers’ Festival”
“Animal House of Blues”: has been announced today as an Official Selection of the Eugene International Film Festival October 18th- 21st, 2012. Directed by Jay Richardson, class of 2012; with the help of fellow graduating filmmakers.
Subtitled “How an Oregon Community Helped Create a Hollywood Blockbuster (or Two) On a ‘B’ Drive-In Movie Budget”; this next generation of young Oregon filmmakers, formerly from the University of Oregon, stepped up and optioned, filmed and edited Katherine Wilson’s documentary screenplay, as well as licensed her Oregon Film Factory Movie Museum images and artifacts. Continue reading... “Animal House of Blues”
Emmy award winning actor and Oregon Film board member Ed Asner was in town and stopped by to chat with AM Northwest this morning. He discussed many of the projects he has worked on in his long career as an actor as well as touted the benefits of having film and television production in the state. You can view full 25 min. video of his appearance above. Continue reading... “Ed Asner Visits AM Northwest in Portland this Morning”
If you haven’t visited the Oregon Film website in a while, you should stop by and check out some of the new content and features we’ve added. In addition to the newly refreshed “Roads of Oregon” section that we wrote about in an earlier post, we have added two new sections featuring current buzz about the Oregon film/media industry from around the net. These sections are dynamically updated as new content becomes available through a partnership with Oregon based Postano. Continue reading... “Oregon Film Website Update Features Current Film “Buzz””
The process that delivers the furniture into our homes is often as grim as the process that delivers the food onto our plates. Aerial vistas of butchered landscapes look like ecological crime scenes, the brown swathes of mowed hillsides replacing the chalk outlines. The murder weapons drip with water instead of blood, freshly bathed for the next sanctioned slaughter. The morbid din of strained cedars slit at their mammoth bases, tipping over, their broad tops exploding on impact could just as easily have been confused with an animal’s death throes. Continue reading... “Essential NW Film: That Blade Just Don’t Stop”
If you haven’t visited the 
The process that delivers the furniture into our homes is often as grim as the process that delivers the food onto our plates. Aerial vistas of butchered landscapes look like ecological crime scenes, the brown swathes of mowed hillsides replacing the chalk outlines. The murder weapons drip with water instead of blood, freshly bathed for the next sanctioned slaughter. The morbid din of strained cedars slit at their mammoth bases, tipping over, their broad tops exploding on impact could just as easily have been confused with an animal’s death throes. 