The Confluence – Page 25 – The Oregon film community's official blog.

EOFF Wraps Up Filmmaker Field Trips

EOFF just wrapped its first Filmmaker Field Trip, hosting the team behind Bad Day for Bigfoot for a week of scouting, story-building, and local inspiration. From forest roads to dive bars, town hall to swimming holes—this creative residency lit a fire under pre-production and brought our region’s cinematic potential to life.

Filmmaker Field Trips are supported by Oregon Film through the Creative Opportunity Program.

Field Trip Report • Project Support Page • Filmmaker Field Trip Program

🚨 Last Call for Entries!

Short Film Impact Grants Awarded

The inaugural Oregon Film Impact Grants for short films were awarded to five projects – “Here’s to the Girls,” “Javelina: Ingredients of Return,” “Machaca,” “Portland’s Cotton Club: The Only Place On The West Coast With Wall To Wall Soul,” and “The Impeccable Art of Never-Ending Wellness.”

The Impact Grants were designed to support filmmakers and projects that have the potential to make a positive and lasting impact on Oregon’s film industry. These grants are intended to help grow the state’s film scene, provide opportunities for local talent and crew, and bring people together through storytelling that celebrates Oregon’s unique culture, history, and landscape.

More Screenwriting Workshops Start July 7

Hi all.

I’m going to be teaching my usual two screenwriting workshops starting July 7 and July 8.

Both remote/virtual.

You can find out more and sign up here: https://www.jeffsrutherford.com/workshops

All are welcome!

We’ve been building a great community through these and some great projects have been developing. Many folks that have taken both Essential Screenwriting and Feature Writing + Development now have a solid full draft of a feature script.

You can read some testimonials here: https://www.jeffsrutherford.com/wkshptestimonials

You can reach out to me directly too: [email protected]

Oregon Film Impact Grants – Feature Film – Submissions June 23 to July 25

Oregon Film is excited to announce the Feature Film Impact Grant, designed to support film projects that can make a positive impact on Oregon’s film industry. This grant aims to help grow Oregon’s film scene, create local job opportunities, and bring people together through stories that celebrate Oregon’s culture, history, and landscape.

Projects should have a clear plan, be financially viable, and make a meaningful contribution to Oregon’s film industry. This grant encourages diverse perspectives and focuses on elevating underrepresented voices in filmmaking.

Dallas Joins the Oregon Film Trail

Dallas has joined into a partnership with the Oregon Film Trail, highlighting the history that film has in the city.

Dallas joins more than 40 physical signs and hundreds of digital scene locations across Oregon that celebrate and recognize this history with the installation of a sign highlighting the location where filming occurred, and more about the film and the people behind it.

Downtown Dallas served as a location for the movie “Promise,” starring James Woods and James Garner. The film, released in 1986, highlighted the struggles that families face caring for loved ones who are diagnosed with mental health conditions.

“ParaNorman” Getting Halloween Re-Release in 3D

Laika’s beloved stop-motion film “ParaNorman” is returning to theaters this Halloween for a one-week engagement, now in a newly remastered RealD 3D format. The limited run, announced at the Annecy Animation Festival, will also feature the world premiere of a brand-new CG short film, “ParaNorman: The Thrifting,” starring Anna Kendrick and Finn Wolfhard.

“ParaNorman,” originally released in 2012, was nominated for an Oscar, BAFTA and Golden Globe, and took home multiple Annie Awards. Directed by Chris Butler and Sam Fell, the film will screen globally starting Oct.

#OregonMade “Horsegirls” Producer Talks Production on The Industry Podcast

Tribeca Festival – “Horsegirls” Co-Producer Blair Skinner

The Industry recently had a chat with producer and line producer Blair Skinner (“Duster,” “Transparent”) on her latest film, “Horsegirls,” which shot in Oregon and recently premiered at Tribeca.

You can watch the whole interview here.

“Horsegirls” tells the story of Margarita (a revelatory Lillian Carrier) who must reluctantly grow up as her mother, Sandy (Gretchen Mol), grapples with an uncertain diagnosis.

They do a deep dive into how she put together the budget for the film, shooting in Oregon and her approach to line producing.

Case Study: Making Indie Movies in Oregon

“So, Why Make Movies in Rural Oregon? And Why La Grande?”

It’s a perfectly fair question for H. Nelson Tracey, whose directorial debut Breakup Season was shot entirely in La Grande, Oregon. Especially considering Nelson’s background: he’s from Denver, Colorado, and has lived in Los Angeles since graduating college.

“I was going to find a way to direct my first feature one way or another. It’s so hard to make a movie to begin with, and I was looking everywhere for pathways to plausibility.

Who We Are and What We Do (June 2025)

Every year around this time we take a moment to reflect on the work we do and why we do it.

First of all, the basics: Oregon Film (a/k/a The Oregon Film & Video Office) is a four person semi-independent state agency that is focused on fostering the economic development potential of the film and media industry in Oregon. Established by Gov. Tom McCall in 1968 to aid the permitting process for “Paint Your Wagon,” Oregon Film, as far as we know, is the oldest state film commission in the US.

#OregonMade “A Simple Machine” to Premiere June 7

The locally produced feature film “A Simple Machine” will premiere at the Lighthouse International Film Festival on June 7. The film tells the story of Nick, an indecisive young man, who, in order to get out of debt, makes a series of radically frugal lifestyle choices without telling his girlfriend that he will be homeless and living off the grid.

Written and directed by Mark Alan Hoffman and starring Richard Blackmon, Gabriela Quezada and Brad Carter the film was shot in Portland.

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