The Confluence – Page 117 – The Oregon film community's official blog.

October 26 Is The Last Chance To Register For The National Arts Marketing Project Conference

2018 National Arts Marketing Project Conference
November 9-12
Seattle, WA

This November 9-12, the National Arts Marketing Project Conference is coming back to Pacific Northwest for the first time in 5 years! More than 600 arts marketers from across the country will meet in Seattle to explore the latest in storytelling, cultural equity, immersive technology, revenue generation and more.

30 inspiring and challenging sessions, 3 must-attend keynotes, leading marketing experts and the best arts marketers from across country – the only thing missing is you!

Help OMPA Become 1,000 Voices Strong

Oregon Media Production Association (OMPA) is holding a fall membership drive leading up to the deadline for the 2019 SourceOregon production directory on November 15. The goal is to reach 1,000 members! Will you be one of them?

The media production industry is thriving now and we want it to stay that way. Keep the work coming by supporting a nonprofit that works day in and day out to strengthen your industry.

A strong collective voice matters. Your membership matters. Sign up now at bitly.com/OMPA1000

Portland Native Screenwriter Wins 2018 Nicholl Screenwriting Fellowship

On September 18, 2018, the Academy of Motion Picture Arts and Sciences announced Allison (Solberg) Buckmelter, a Portland native, and her husband Nicolas Buckmelter, won the prestigious 2018 Nicholl Screenwriting Fellowship award.

Three individuals and one writing team have been named winners of the 2018 Academy Nicholl Fellowships in Screenwriting competition. The fellows will each receive a $35,000 prize, the first installment of which will be distributed at the Academy Nicholl Fellowships in Screenwriting Awards Presentation & Live Read at Beverly Hills’ Samuel Goldwyn Theater on Thursday, November 8.

Workshop: Sound Design—Creating Acoustic Worlds For The Screen

October 20, 2018. 10AM to 4PM. Northwest Film Center. $45.

Visit https://nwfilm.org/classes/sound-design-creating-acoustic-worlds-for-the-screen/ for more information and to register.

Sound design is not about software, catchy music or cool sounding effects. It’s about emotional response: how a combination of dialogue, music, sound effects, designed sounds and backgrounds supports character development and the dramatic elements of the story. This workshop will explore how powerful sound can be by looking deeply at different artistic choices and their influences the meaning of a scene. The different stages and workflow of sound design will be discussed in detail, from reading the script, to reviewing the rough cut and the final mix.

Workshop: A Tale In Two Minutes—How To Pitch Your Film Idea

November 2, 2018. 10AM to 3PM. Northwest Film Center. $20-$60.

Visit https://nwfilm.org/classes/a-tale-in-two-minutes-how-to-pitch-your-film-idea/

Pitching is part writing, part strategy, part performance … but above all, it’s storytelling. So your pitch simply boils down to telling a good tale, right? If only it were so easy. Whether you’re proposing a feature, documentary, commercial or other creative project, you need an engaging, suspenseful and tight pitch of 60-120 seconds at the ready. Like filmmaking, pitching involves knowing your audience (prospective buyer), but it also involves a whole lot more.

Spotlight On Location Professional – Enrique Arias

Enrique Arias taking a moment during filming of an episode from “Wie is De Mol.” The location: Dee Wright Observatory.

Being a location scout in the state of Oregon with the name Enrique Arias has always been a challenge. People tend to think I’m not a native of the state, but the fact is I have lived in Oregon all my life. I was born in Portland, Oregon. My parents and the rest of my family immigrated from Cuba in 1963.

Iconic Oregon Animator & Filmmaker, Will Vinton, Dies Aged 70

This morning , Oregonian, Will Vinton passed away after a long battle with Multiple Myeloma. Vinton was, and is, an inspiration to many of animators and filmmakers alike. He started his career in filmmaking in the early 1970’s with Claymation projects such as, “Closed Mondays” for which he won the Best Animated Short Oscar in 1975. Vinton went on to create Will Vinton Productions (later Will Vinton Studios) and created many more animated short films, PSA and television commercials, as well as special effects for film and television (he won an Emmy for this work on the television show, Moonlighting, in 1987.)

OregonMade Creative Foundation & Travel Oregon Team Up To Offer “Winter Season Grant”

Oregon’s Magical Winter Season Grant

The $15,000 “Winter Season Grant” is being provided by the OregonMade Creative Foundation and in conjunction with Travel Oregon to create a short film series of moving “postcard stories” that will captivate and encourage people to experience the winter season for themselves. The purpose of this grant is to support local content creators who are producing high-quality, innovative multimedia content about Oregon that inspires travel to or around the state.

Inaugural “Portland Circuit” Collaboration Began With Sold Out Theatre!

Photo: Breaking Glass PicturesTHE PORTLAND CIRCUIT:

The#OregonMade Creative Foundation alongside the Northwest Film Center, the Hollywood Theatre, the Clinton Street Theater, and Cinema 21 announce the first film selected for a unique theatrical distribution program for locally produced feature films.

The Portland Circuit, a collaboration between the #OregonMade Creative Foundation, the Northwest Film Center, the Hollywood Theatre, the Clinton St. Theater, and Cinema 21, has been created to provide a local theatrical run for #OregonMade feature films.

Emmy Award winner, Visual Effects Supervisor Juri Stanossek to attend screening of JIM BUTTON AND LUKE THE ENGINE DRIVER

Emmy Award winner, Visual Effects Supervisor Juri Stanossek will attend the screening of JIM BUTTON AND LUKE THE ENGINE DRIVER on Sunday Oct. 7, 218 @ 3.00 PM at CINEMA 21. Following the screening will be a presentation about VFX by Juri Stanossek followed by a Q&A.

Juri Stanossek started his career in 1994. Since then he’s supervised more than 40 movies for TV and cinema. He acted as Visual Effects Supervisor at Elektrofilm from 2004 to 2008 and then moved forward to Pixomondo Stuttgart, where he supervised international productions like “Ghostwriter” (2010), “Hugo Cabret” (2011) , “Game of Thrones” (2012) and “Rush” (2013).

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Oregon’s Magical Winter Season Grant