The Winding Stream, an epic documentary film about the dynasty at the heart of American roots music is nearing completion, but needs finishing funds to get there. The film tells the story of the musical Carter and Cash Family and features interviews and performances by many Americana artists, including Johnny Cash, Rosanne Cash, George Jones, Sheryl Crow, Kris Kristofferson, John Prine, the Carolina Chocolate Drops and others.
To get to the finish line, Grammy-nominated independent filmmaker and musician Beth Harrington and her team are in the midst of a 60-day effort to raise the needed funds through the online crowdfunding site, Kickstarter. Continue reading... “The Winding Stream – Last Big Push!”
Legal Services, with Entertainment Attorney Candace Jackson
Screening Event
Festival Passes : POW Fest 2013, Ashland Film Fest 2013, Susan Orleans “Voices” Series Lecture and VIP Reception 2013
The purpose of the grant is to support working women video and filmmakers who reside in Oregon and SW Washington (Clark County). The goal of the grant is to provide financial assistance to women filmmakers and to aid in the next step of the crafting of an idea, honing a vision, or assisting in the completion of a consequential piece of work. Continue reading... “Women in Film-PDX/Faerie Godmother Production Grant”
PORTLAND, Oregon (March 09, 2012) the announcement just earlier this week that “Cell Count” was chosen as the Closing Night Film and to also have it’s World Premiere at this years Fantaspoa Film Festival in Brazil we thought it would be a great time to show our new poster from the amazing Tom Hodge at The Dude Designs.
Portland Feature Film “Cell Count” has World Premiere and closes the Fantaspoa Film Festival in Porto Alegre Brazil.
[vimeo]http://vimeo.com/37701293[/vimeo]
PORTLAND, Oregon (March 05, 2012) – The Fantaspoa Film Festival announced today that the Portland feature film “Cell Count,” made by Polluted Pictures in association with Wooden Frame Productions, is the Closing Night Film at their Festival in May. Last year’s Closing Night Film, “Stakeland”, was later released in theaters in 2011 by IFC Films and Dark Sky Films.
Cell Count was the third of three feature films shot in 2011 from Wooden Frame Productions that utilized the Oregon state iOPIF rebate program which provides rebates of 20% of goods and services and 10% of Oregon labor for films produced by Oregon filmmakers who spend a minimum of $75,000 but not more than $750,000 on their project. Continue reading... “Portland Feature Film “Cell Count” World Premiere May 20th”
Want to know what Investors are looking for? Where in the World do we find Feature Distribution? The latest on Digital Distribution? The most effective types of Marketing?
Get the inside scoop on the indie film industry from a leading Hollywood executive and more than a dozen local experts when the 2012 NW Film Finance Symposium convenes on Friday, March 9, and Saturday, March 10. Presented by OMPA and POWFest, this year’s event will feature Stephanie Slack, Senior Vice President, Co-Productions & Acquisitions for MarVista Entertainment in Los Angeles. Continue reading... “Northwest Film Finance Symposium”
The Internal Revenue Service is revising the optional standard mileage rates for computing the deductible costs of operating an automobile for business, medical, or moving expense purposes and for determining the reimbursed amount of these expenses that is deemed substantiated. This modification results from recent increases in the price of fuel.
The revised standard mileage rates are:
(1) Business 55.5 cents per mile
(2) Medical and moving 23.5 cents per mile
The mileage rate that applies to the deduction for charitable contributions is fixed under § 170(i) of the Internal Revenue Code at 14 cents per mile. Continue reading... “Change in Mileage Rates”
Over four years ago, Steve Taylor and Ben Pearson sat down and wrote “Blue Like Jazz” a feature based on Donald Miller’s New York Times bestselling memoir by the same name.
We caught up with the crew on the set yesterday (they are shooting one more week in the Portland metro area). They were excited to be seeing their project finally come to life and the whole funding route really is a great story in and of itself. After Don Miller announced the project was dead due to lack of funding, a Kickstarter campaign began and after a while they were right there at the top of the leader-board. Continue reading... “Blue Like Jazz Shooting in Portland”
In the last few weeks there have been a number of projects that have applied for the Indigenous Oregon Production Investment Program (iOPIF), and now all the available funds have been fully committed. In total 13 projects have been qualified for the program and projects have been produced or are set to be produced in the Portland area, Central Oregon and Ashland. The first project was the Brothers Freeman film “Wake Before I Die” back in January of this year. Continue reading... “The iOPIF Program Does Its Job – Funds Fully Committed”
Digital media, the Internet, games and mobile applications have opened up new channels of distribution for film and television and offer tremendous opportunities for enterprising companies. The traditional model of media production is rapidly changing and it’s more important than ever to develop plans to fully leverage film, video and interactive projects to reach audiences around the country and around the world.
The Winding Stream, an epic documentary film about the dynasty at the heart of American roots music is nearing completion, but needs finishing funds to get there. The film tells the story of the musical Carter and Cash Family and features interviews and performances by many Americana artists, including Johnny Cash, Rosanne Cash, George Jones, Sheryl Crow, Kris Kristofferson, John Prine, the Carolina Chocolate Drops and others.
Get the inside scoop on the indie film industry from a leading Hollywood executive and more than a dozen local experts when the 2012 NW Film Finance Symposium convenes on Friday, March 9, and Saturday, March 10. Presented by 
