FILM FINANCING SEMINAR with LA-based entertainment attorney and author John Cone
Available through two locations: in person in Ashland or via Skype in Portland
Cone is the author of 7 books including 43 Ways to Finance Your Film, The Feature Film Distribution Deal, and Business Plans for Filmmakers from Southern Illinois University Press. www.filmfinanceattorney.com
The topics to be covered this Saturday: Overview of film finance • Lender financing and the latest developments in the investor financing area • JOBS Act’s authorization to use general solicitation and advertising in certain Regulation D, Rule 506 offerings • New investment Crowdfunding models • Analysis of the three forms of documentation with which to approach film financiers and when to use each • The latest models for successful independent Distribution
Please register in advance for the location of your choice
Nationally renowned filmmaker Todd Haynes is the subject of a one-of-a-kind portrait that posted today on eBay. This ten-day auction supports a good cause: Haynes donated the giclee print to benefit The Right Brain Initiative’s arts education programming in Portland, Oregon area schools. The print is signed by both Haynes and the portrait’s artist, Steve Cohn. Cohn is brother-in-law to Haynes, and works under the pseudonym Jasper Marks. Continue reading... “Oscar-nominated filmmaker Todd Haynes donates autographed portrait to benefit The Right Brain Initiative”
Oregon Film intern Sabrina Gimenez interviewing Shop Adorn. Photo Courtesy @ShopAdorn via Twitter
It’s been a busy summer for us interns at Oregon Film compared to what most people our age are doing right now: swimming, camping, and vacationing in general. As much as we’d like to take time off and just relax or sleep the summer away, we’ve been filming videos all summer long, working hard to show the people of Oregon, and the legislature, how the film industry has quietly and stealthily been successful both in-front of and behind the cameras. Continue reading... “Oregon Film Interns Spotlight Local Vendors”
The Northwest Film Center School of Film is offering an array of classes geared toward getting you out in the sun and working on your cinematography.
From documentary to narrative films, time-lapse to Super-8 there’s a little something for everyone. Classes and workshops are a great opportunity to brush up on basics, learn some new tricks, and network with others working on local productions.
The School of Film welcomes a variety of experience levels and no applications are necessary.
This Sunday, June 24th, the Dill Pickle Club hosts the fourth and last installment of A Place Called Home: Lectures on Filmmaking in Portland, a monthly lecture series focused on the history of movie-making in the city, at the Whitsell Auditorium, with guests Tom Chamberlin, Dennis Nyback and Tom Robinson (co-presented with the Northwest Film Center). Check out this great two minute promo clip with Tom Robinson talking the importance of home movie making in Portland.
PROFESSIONAL MAKEUP SCHOOL TO OPEN IN SOUTHWEST PORTLAND
Oregon’s First School of Makeup Enrolling Students Now For Summer Courses
Portland, OR, May 24, 2012 – Renown professional makeup artist and Portland resident Celena Rubin to launch Art of Makeup, School of Professional Makeup Artistry, Oregon’s first school exclusively dedicated to Makeup Artistry.
This Sunday, May 27, the Dill Pickle Club hosts the third in its ongoingA Place Called Home lecture series on filmmaking in the City of Portland at the Clinton Street Theater. The program will feature talks and short films by three titans in the Portland film community: JIM BLASHFIELD (maker of videos for Michael Jackson and the Talking Heads — no joke!), BROOKE JACOBSON (Co-Founder of the NW Film Center, Portland State University professor) and MATT McCORMICK (you’d be hard-pressed to find another filmmaker whose films are so distinctly Northwest, or who has done as much to nurture the work of local makers). Continue reading... “2 for 1 tickets to experimental film lecture — this sunday!”
In the late 1960’s of Eugene, Oregon, we started a film company in a Garage. Kind of like the beginnings of Nirvana and Microsoft, you know? It was an old auto-mechanic garage with 2 bay doors and a ticket office inside. We had the Movieola in the back room, now famous for the auditions we held there for the “Animal House” sorority sisters in the Pillow-Fight Scene. At the time, I had rented the Ticket Office inside the Garage for $25 a month, and it was literally just big enough for a desk and a chair. Continue reading... “The Northwest’s Inimitable Film Version of a Garage Band”