Taught by Mark Orton, founding member of the Tin Hat acoustic chamber ensemble, who has written music for films such as EVERYTHING IS ILLUMINATED, THE GOOD GIRL, and BUCK. Orton also composes for dance, circus, and radio drama, giving him a well-rounded wisdom that he is eager to share.
Topics: overview of the instructor’s film palette and style; types of film scores (original, licensed, public domain, live captured, sound design); the film music department staff (who does what); film music budgeting; what happens before a composer is hired (the temp score, the cue sheet, demos, typical contracts, and budgets); how to work with a composer (the spotting session, what a composer needs technically, the adjusted cue sheet, giving notes, film music vocabulary, the illusive locked picture); licensing music (different types of licenses, understanding publishing, obtaining a license, different types of rights scenarios, how to avoid “the man,” re-purposing non-film music, filing a finalized cue sheet); clips from a variety of films will be used throughout to illustrate the material; interaction with the instructor is highly encouraged.
Whether you are an experienced filmmaker or just waiting to make a splash, now is the time to dive in. FUNDAMENTAL & INTENSIVE SCREENWRITING, DIGITAL EDITING, and SOUND DESIGN & EDITING are only a few of the alluring spring classes at the Film Center.
The Northwest Film Center is poised to yet again unleash PIFF excitement on film audiences of the Portland Metro area. The Opening Night presentation of the 36th Portland International Film Festival (PIFF) hits on Thursday, February 7th at the Newmark Theatre (1111 SW Broadway) with this year’s Spanish submission for the Best Foreign Language Film Oscar, BLANCANIEVES, a 1920s, silent- set reworking of the Brothers Grimm fairytale “Snow White,” offset by punchy Flamenco rhythms and full of imagination.
Beginning Friday, February 8th, PIFF expands to take over a clutch of venues across town, including the Whitsell Auditorium in the Portland Art Museum, Cinema 21, Cinemagic, Regal Fox Tower, World Trade Center, and Regal Lloyd Center 10. Continue reading... “36th Portland International Film Festival in February”
Get individual consultation and class member coaching support for your animation project.
Topics: bring what you’re already working on or an idea for a short film project; receive group feedback and individual advising for the issues you face, such as: conceptual design and script development, fundraising/budgeting, character, story or performance, technical challenges, post-production, or other challenges; bring in work-in-progress for class critique and one-on-one consultation with instructor. Continue reading... “2 Exciting Classes Starting Week of Jan 14”
Without question, those of us creatively engaged in the local film scene are blessed to be able to participate in our growing industry. As we head into the holiday giving season, the NW Film Center would love to encourage OMPA members to become acquainted with a new program we’re developing to help those without a voice tell their stories through the medium of film.
Feature film highlights include Lynn Shelton’s YOUR SISTER’S SISTER, starring Rosemarie DeWitt, Emily Blunt, and Mark Duplass; James Westby’s RID OF ME starring Katie O’Grady; a special FREE 50th Anniversary screening of POLLUTION IN PARADISE, the 1962 KGW-8 produced film that documents the beginning of the environmental movement in Oregon that became the hallmark of former Governor Tom McCall’s tenure; and closing the Festival is Matt McCormick’s THE GREAT NORTHWEST. Continue reading... “39th Northwest Filmmakers’ Festival”
The Northwest Film Center is only 10 days out from the epic conclusion of their mission to raise enough funds to EXPAND the experience of your summer’s TOP DOWN: ROOFTOP CINEMA–by expanding the size of the screen. Your Screen.
And they NEED HELP. YOUR HELP!
This Project was intended, as with all of NWFC initiatives, to create the best environment and experience for our audience.
The Northwest Film Forum (NWFF), the Film Center’s sister media arts center in Seattle, provides an array of technical and financial support to regional filmmakers, including the Start-to-Finish program. Since 1998, it has also been a film distributor, using its institutional muscle and expertise to shepherd the much-heralded film POLICE BEAT and other selected independent works into the marketplace. Having built this component of NWFF’s offerings from the ground up, Program Director Adam Sekuler knows the behind-the-scenes terrain inside and out. Continue reading... “DEMYSTIFYING DISTRIBUTION: A WORKSHOP”
The 39th Northwest Filmmakers’ Festival continues the Film Center’s tradition of bringing moving image artists of the Northwest together to share ideas, discover resources, inspire, be inspired, and to showcase their finest work to greater audiences. Submit your recent work for consideration!
The entry deadline is Monday, August 1 (postmark) and the Festival runs November 9-17. Entries are judged by a prominent filmmaker, curator, or critic who determines the Festival awards. Past judges have included Gus Van Sant, Matt Groening, and Todd Haynes. Continue reading... “Call for Entries: 39th Northwest Filmmakers’ Festival”