Seaside was shot in Portland and the Coast in April with some great New York actors, including Ariana DeBose (Hamilton), and some wonderful Portland actors, including Jana Lee Hamblin, Haley Talbot, Bob Olin, Victoria Blake, Jennie Vaughn, and Brandt Leeds, all cast by Simon Max Hill.
Portland producer is Alyssa Roehrenbeck, Cinematographer Phil Anderson, and Production Designer Jade Harris. And our composer, Megan Diana McGeorge, is the creator of Portland’s Piano.Push.Play.
Inspire homeless and marginalized youth with your knowledge and expertise. Outside the Frame seeks local Cinematographers, Sound Mixers, Gaffers, Editors, Composers, Animators, and other film industry professionals to join for our pool of paid mentors. Full and half day workshops sessions or post production work available.
I first heard about the #OregonMade trademark at the Portland International Airport while viewing actual artifacts from several films shot in Oregon on display.
Now the Oregon Film Museum is stepping out and celebrating ‘Animal House’ with a huge party in Portland on October 30th, 2016. And the local communities, who hold their own local celebrations, are stepping up to support the Oregon Film Museum too.
Film is such a collaborative effort, but this scale of collaboration in celebrating Oregon creative projects is something I have never seen as a 47-year veteran of Oregon filmmaking.Continue reading... “Celebrating #OregonMadeShows”
Celebrate food justice at the Portland premiere of the award winning documentary, SEED: The Untold Story! SEED: The Untold Story is the Opening Night Film at the Portland EcoFilm Festival at Hollywood Theater, Thursday, October 20 at 7:00pm. A Q&A with the local Portland filmmakers, Taggart Siegel and Jon Betz, will follow. Visit seedthemovie.com/portland for tickets and more info.
On Oct 15, 2016, two time Oscar nominee Bill Plympton will appear as a guest speaker at Oregon Cartoon Institute‘s one day symposium UNDERGROUND USA. The following evening he will introduce a program of his short films at the Mission Theater.
UNDERGROUND USA is one day public history/arts education event which focuses on one chapter of Oregon print cartooning history. It was created in partnership with UO Comics & Cartooning Studies and PSU Comic Studies, and with support from Oregon Historical Society. Continue reading... “Bill Plympton Speaks, Oct. 15 & 16, UNDERGROUND USA”
The Northwest Film Center is excited to offer a new four-session course with host and executive producer of OPB’s Field Guide, Steve Amen. The class takes place on Monday evenings, October 3 to October 24, and will be a great place to jump start your documentary project with an irresistible proposal that leaves funders wanting to know more. Establish credibility for you and your project by answering the key questions: “Why this film?,” “Why now?,” and “Why should you be the producer?.” Continue reading... “Documentary Proposal Writing With Host Of OPB’s Field Guide”
Lorne Michael’s “Brother Nature” opened September 9th – shot in and around Klamath Falls (down town, Lake of Woods Resort, Keno, among others) for 15 days in the summer of 2014. The feature brought much financial benefit to local businesses, as well as hiring many Oregon crew. Starring Taran Killam (“12 Years a Slave”, SNL), Bill Pullman, (“Independance Day”, “Lost Highway”), (Gillian Jacobs “Community”), Bobby Moynihan (SNL, “Inside out” “Sisters”), Rita Wilson (“Sleepless In Seattle”), and Sarah Burns, Ellen Bloodworth, Giancarlo Esposito, Rachael Harris, Kumail Nanjiani, Kenan Thompson and David Wain, and produced by Lorne Michael’s, written by Taran Killam, Mikey Day and Cameron Fay, directed by Matt Villines and Osmany “Oz” Rodriguez. Continue reading... ““Brother Nature”, Shot in Klamath Falls, Opened Sept 9th”
The National Film Preservation Foundation announced their latest group of historic films that will receive funding to preserve them for record. Among them are; the “Luther Cressman Field Work Films” (1938 – 1954), an important documentation of work done by the UO archaeologist, Luther Cressman; and a feature (1953) by UO alumnus, James Blue, that won a Critic’s prize at Cannes (1962).
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