Hey all! My feature, filmed entirely in Portland, is premiering at The Clinton Street Theater this July. Marty in Transit is an ambitious 90-minute, one-shot thriller about an FBI Agent hunting down a killer who is targeting cab drivers.
It premieres on July 13th and 14th at 8 pm. After this preview in Portland, we’re headed off to the festival circuit!
Over the course of the last year, Portland State University Television (PSUTV) has been creating a feature film: Karen Doesn’t Dream.
This psychological drama follows Karen, a 27 year-old porn store employee and Seaside resident. Karen’s job has always been dreary and monotonous, serving the tourists and tenants of Seaside. But that was before she found the sleep tapes… To what extent will Karen feed a growing addiction, and what will this addiction bring out of her?
Producers and University of Oregon students Tanner Staab and Claire Williams sought to create a mini series on an entirely new scale, breaking common trends in student film. They wanted an adventure, a show that would not only have appeal outside of the student body, but also take them far from the often-used filming locations around the University of Oregon campus. These objectives soon became Indiana Johana: An Action RPG Adventure.
Producer and Director Tanner Staab (right) gives notes to actors as Episode 4 DP Cairo Smith (left) reviews the shot list
8 Artists confined to a comic book store, partake in Scott McCloud’s 24 Hour Comic Challenge. Each attempting to write, draw, and complete a 24 page comic, in 24 hours.
With the smell of coffee and doughnuts lingering over a table filled with pencil shavings, director Milan Erceg delves into the personal lives of each of the participating artist to examine how and why they got into an industry that rarely rewards their passion with fame or money.
The film features Scott McCloud, cartoonist and author of Understanding Comics, and local standouts Paul Guinan creator of Boilerplate, David Chelsea, acclaimed graphic novelist, Mike Richardson, founder of Dark Horse Comics and many others. Continue reading... “24 Hour Comic – Feature Documentary”
The recently-launched SmashTheHive Studio in SE Portland has just debuted its first production —the “My American Waistline” animated comedy series. This fearless, unapologetic and politically-incorrect collection of bite-size shorts leaves no muffin top unturned or moob unchafed in its unsparing quest to expose America’s fixation on over-eating, under-eating, ripped abs, apple bottoms and surgical enhancement.
OPB Television’s “Oregon Art Beat” took a look at what makes Astoria a unique arts town and tourism center this month, including this segment featuring the Oregon Film Museum:
Producer Katrina Sarson takes us on a tour of the Oregon Film Museum in Astoria. The museum highlights and celebrates movies that were made in the state of Oregon, housed in the old Clatsop County Jail. Make your own movie, be inspired by The Goonie Gallery and learn more about the history of movie making in our own state! Continue reading... “Oregon Art Beat Highlights Oregon Film Museum”
I first heard about the #OregonMade trademark at the Portland International Airport while viewing actual artifacts from several films shot in Oregon on display.
Now the Oregon Film Museum is stepping out and celebrating ‘Animal House’ with a huge party in Portland on October 30th, 2016. And the local communities, who hold their own local celebrations, are stepping up to support the Oregon Film Museum too.
Film is such a collaborative effort, but this scale of collaboration in celebrating Oregon creative projects is something I have never seen as a 47-year veteran of Oregon filmmaking.Continue reading... “Celebrating #OregonMadeShows”
“Thompson’s Mills is a Oregon State Heritage Site in Linn County near the town of Shedd. More than 150 years old, it’s the oldest water-powered grain mill in Oregon, where the waters of Calapooia River drive turbines you can still see running today for demonstrations.
The National Film Preservation Foundation announced their latest group of historic films that will receive funding to preserve them for record. Among them are; the “Luther Cressman Field Work Films” (1938 – 1954), an important documentation of work done by the UO archaeologist, Luther Cressman; and a feature (1953) by UO alumnus, James Blue, that won a Critic’s prize at Cannes (1962).
I first heard about the 