As the story goes – Gov. McCall appointed Warren Merrill, Oregon Film’s first director, in 1968 specifically to ensure that the permitting and transportation process for the Paramount feature shooting in Baker County went as smoothly as possible. This means as we celebrate the 50th anniversary of the production of the film, we also celebrate 50 years of the Oregon Film Office. Continue reading... ““Paint Your Wagon” and Its Place in Oregon’s Cinematic History”
Earlier this year KAOH‘s Doug Kenck-Crispen came to us and said “we need to do something on ‘Paint Your Wagon’,” and we said “heck ya, Pardner!” Then, in August and October we made separate trips out over rough roads into the wilds of the Eagle Cap Wilderness to find what remains of the shooting location for the 1968 production which built not one but two No Name cities. KAOH went even deeper, camping on site, digging into the location remnants, the people, the history, the stories and the amazing scenery about 30 miles outside of Baker City and the result is this podcast and the upcoming screening of “Paint Your Wagon” at the Hollywood Theatre on November 16 with all proceeds going to the Baker Heritage Museum who have a great PYW exhibit all of their own in Baker City. Continue reading... “Kickass Oregon History Takes on “Paint Your Wagon” Turning 50”
This week our intrepid Raider moves us into Noirvember and coins another term for calendar-based genre. Thi
s time we embrace true micro-budget filmmaking and the creative genius of necessity coming out of Eugene. Oregon’s cinematic history is long but its Eugene chapter is deep and varied – Five Easy Pieces, Animal House and, with the Kesey Connection, One Flew Over the Cuckoo’s Nest and Sometimes a Great Notion happening not too far afield.
“A Haunting At Silver Falls 2” at Linfield College (photo: Brian McElroy)
Brian McElroy has been working in location management for over two decades and has had an interesting career path that ultimately led him to Oregon. We caught up with him after he had finished working on “Woodstock or Bust” – an indy film written and directed by Leslie Bloom, a Lake Oswego native.
The Menucha Retreat and Conference Center is a non-profit organization which hosts adult retreats, workshops, and conferences. It is located approximately 20 miles outside Portland, Oregon in the beautiful Columbia River Gorge. This particular workshop will be an intense one-week course in TV/film production. We are looking for professionals who have TV/film credits in their particular field of expertise. We currently have an instructor for directing TV/film, and a writing instructor, and are looking for an acting instructor, a DP to teach TV/film camerawork, and an editing instructor. Continue reading... “Film Workshop Seeking Teachers”
A group of friends, a mudslide, and a tainted bowl of chili. What could possibly go wrong? Find out this Friday at 6:30pm when Brown’s Canyon, the new indie drama from director John Helde, makes its world premiere at the 2017 Portland Film Festival.More information, trailer, and advance tickets available.
This week’s Hooray for Horregon RotLA edition comes with two truly great ingredients: Debbie Reynolds and St. Helens. If you haven’t seen HBO’s Emmy nominated “Bright Lights” (full disclosure, it was produced and directed by friend, former business partner and Astoria-filmed “Short Circuit” actor Fisher Stevens and his life-partner baby[ies]-mama Lexy Bloom), and, if you haven’t visited St. Helens (at Halloween or, as a seasonal alternative, by boat to the town dock in August for a riverside lunch and a beer), you need to do both.Continue reading... “RAIDERS OF THE LOST ARCHIVE: Halloweentown (Duwayne Dunham 1998)”
On the program are almost thirty feature films, including a retrospective dedicated
to the Japanese filmmaker Hideo Nakata, a master in the horror genre, from his classics Ring, Ring 2 and Dark Water to his recent productions, Monsterz, Ghost Theater, and White Lily.
Other Japanese films include the unconventional road movie Bangkok Nites, the intense drama Over the Fence directed by Nobuhiro Yashamita, and the grotesque thriller Museum, directed by Keishi Otomo. Continue reading... “Portland Asian Film Festival Coming Soon…”
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