The below release was put out today in coordination with Governor John Kitzhaber’s Office:
2011 Shaping up to be Big Year for Oregon Film and Television Jobs
The Governor’s office of Film and Television reports that 2011 will be the biggest year for total dollars spent on film and television projects in Oregon’s history. Two television series filmed in Oregon, “Leverage” and “Portlandia,” have already announced that their networks have renewed their series.
This week the 34th Portland International Film Festival (PIFF) puts a spotlight on the tremendous accomplishments of Oregon filmmakers, with screenings of Peter D. Richardsonʼs Sundance-acclaimed documentary “How to Die in Oregon“; Aaron Katzʼs Portland valentine “Cold Weather“; the Portland premiere of Matt McCormickʼs first feature film, “Some Days are Better Than Others” starring Portlandia’s Carrie Brownstein; and a program of “Made in Portland” short films featuring the works of Jim Blashfield, Joanna Priestley, Vince Malone, and more.
The videos embedded here are just two examples of testimony from local companies that have directly benefited from Oregon’s film incentive programs. These videos will be played for the Oergon State Legislature at the continuation of the initial house hearing (on HB 2167) this Friday. HB 2167 proposes increasing the annual amount allocated to the Oregon Production Investment Fund (OPIF).
This morning on KSRV radio in Ontario, OR, Oregon Film Executive Director Vince Porter spoke with Oregon Rep. Cliff Bentz and Dale Jefferies about Oregon’s Film Incentive Program.
You can listen to the full interview in the link below [Interview begins around the 10 minute mark.]
All tickets are $20 and proceeds benefit the Oregon Cultural Trust. Tickets can be purchased in person (check only) at the Oregon Film office, or at Tickets West or at the Elsinore Theatre Ticket Office. Thanks to many ticket sponsors for this event, the OMPA has free tickets available. For more information, please go to their website.
I came upon a link to this article in the Washington Post about “Meek’s Cutoff”. The film is due to be released in theaters in April and I’m very curious to see how it does. The film has already made the rounds at the Venice, Toronto, and Sundance Film Festivals and by in large the critics have given the film very good reviews.