
#OregonMade “Finding Groovopolis” is being released nationally via Freestyle Digital Media. To mark the occasion, the jacket filmmaker Wil Kristin’s dad wore in both The Terminator and Finding Groovopolis is up on long-term display at Portland’s iconic Movie Madness, timed with the screening at the inaugural Portland Panorama Film Festival.
In the documentary Finding Groovopolis filmmaker Wil Kristin seeks fatherly advice through the lens of Groovopolis, a never-produced comedic screenplay written by his late father. While coming to terms with his dad’s death, Kristin discovered the original script for Groovopolis, which follows a music programmer who falls overboard at a work party, encounters a group of wild, dancing island inhabitants, and inadvertently records their music before being rescued and spreading the sounds as an antidote to dull and monotonous consumer culture. Continue reading... “#OregonMade “Finding Groovopolis” to be Released on April 22”
If you are ready to to get the training you need to work in film & TV production from wherever you are at any time then Stage 32 Certification is for you.
About Stage 32 Certification:
Stage 32 Certification has partnered with over 40 film commissions, guilds, and studios across the United States and the world. These partnerships include international collaborations in Costa Rica, Poland, Croatia, South Africa, Uganda, and Austria, as well as domestic initiatives in Pennsylvania, Hawaii, Florida, Georgia, Utah, Texas, Oregon, and Nevada. Continue reading... “Stage 32 Certification Offers Professional Training At A Discount”
Oregon has been Hollywood’s backlot when it comes to movies and television projects. That includes Central Oregon — “Rooster Cogburn,” “The Postman and “Wild,” to name a few. Central Oregon Daily‘s “Destination Oregon” took a trip on the Oregon Film Trail. Visiting sites where movies and television shows were filmed is a huge tourism industry called Set Jetting.
“Right now, we believe it’s about $151 million a year that’s coming into Oregon through film set jetting,” said Tim Williams, the executive director of the Oregon Film Office. Continue reading... “Destination Oregon: The Oregon Film Trail”
Kelly Reichardt’s latest film “The Mastermind” has been announced as part of the main competition titles at the Cannes Film festival in May. Although shot in Ohio, the film was produced by Oregon based Neil Kopp and Anish Savjani (alongside partner Vincent Savino) and their filmscience label.
The film centers on an audacious art heist amidst the backdrop of the Vietnam War.
Many of Reichardt’s and filmscience’s previous films have been shot in Oregon.
See the whole Cannes line up here and more info on “The Mastermind” here. Continue reading... ““The Mastermind” from Portland Based filmscience Goes to Cannes”
Script to Screen, Catalyst Film Collective’s signature program that includes a $10,000 grant, wrap around production support, in-kind donations, and a whole collective of filmmakers ready to crew, is now open for submissions.
Submissions Open 4/4/25; Deadline 5/31/25
Get writing those scripts, and check out our website for all the fine print, and answers to all your FAQs. This grant is open to CFC members only, so make sure to join the Collective or update your membership if you haven’t yet. Continue reading... “Catalyst “Script to Screen” Grant Launches”
McMinnville resident, Kyle Marvin, has written and stars in the feature film “Splitsville” which will debut at the Cannes Film Festival in May. The film also stars Nicholas Braun and Dakota Johnson and is directed by Michael Covino. Marvin also directed “80 for Brady” and wrote and produced “The Climb” which also screened at Cannes.
See the full Cannes line up here. Continue reading... ““Splitsville” – Written & Starring McMinnville Resident – will Debut at Cannes”
The Oregon Film Impact Grants are designed to support filmmakers and projects that have the potential to make a positive and lasting impact on Oregon’s film industry.
There will be two submission phases for these grants. The first will be for short film projects (running time less than 40 mins) while the second will be for feature length projects. The first phase, short films, will open on April 16. The feature length project submission period will be later in the summer of 2025. Continue reading... “Oregon Film Impact Grants for Short Films”
On Friday, May 30, 2025, Portland Art Museum’s PAM CUT // Center for an Untold Tomorrow hosts the 6th annual Cinema Unbound Awards, honoring multi-disciplinary media artists at the forefront of innovation in arts and culture. A highlight of the West Coast cultural calendar, the evening showcases internationally renowned creative polymaths who share their unbound vision in fresh and innovative ways.
This year’s event honors Sarah Sherman, Marco Brambilla, Earl Ninsom, Carson Ellis, and Colin Meloy.
The evening benefits PAM CUT//Center for an Untold Tomorrow, a vital part of the Portland Art Museum dedicated to celebrating artists who defy labels or easy categorization in cinematic storytelling including film, series, audio storytelling, gaming, animation, and XR. Continue reading... “Cinema Unbound Awards Announce 2025 Honorees”
Submit your film now for BendFilm and secure a discount on your submission fee.
BendFilm expands its support of Independent Film by refocusing its competition program, centered now on new North American-made independent work. With the inaugural success of our filmmaking retreat, BendFilm: Basecamp, we are doubling down on platforming emerging creators, creating a dedicated fall showcase for emerging narrative and documentary features. Films should have majority North American financing and/or should be shot in North American countries. They will be selected for originality of voice and quality of execution—an earmark of successful indie filmmaking. Continue reading... “BendFilm Festival Submission – Discount Codes”
In partnership with Travel Portland, the Office of Events & Film at Prosper Portland is excited to offer a grant opportunity for Portland-based independent film productions to support and offset the cost of the post-production process. Funding is designed to encourage the completion of local feature-length films and position local producers to build toward larger, more resourced productions.
Grant applications open on Wednesday, March 26. This year, grants of $8,500 each will be awarded.
Past recipients of the Post-Production Grant include Trash Baby, directed by Jacy Mairs (which premiered at the 2025 SXSW Film Festival), and G. Continue reading... “Portland Post Production Grant 2025 – Opens March 26”