Recent Posts

PFCAT Creator Expo Now Open For Entry

June 1, 2026 / Oregon Film

In Memoriam: Brian Lindstrom

May 15, 2026 / Oregon Film

Cinema Unbound Week!

May 8, 2026 / Oregon Film

Cinema Unbound Week May 27–31

April 28, 2026 / Oregon Film

“The Bridge” Announces Inaugural Cohort

April 23, 2026 / Oregon Film

#OregonMade RefugeVFX and “Fallout” S2

April 22, 2026 / Oregon Film

Inaugural IWSFF Opens May 1

April 20, 2026 / Oregon Film

#OregonMade “Motives” Announces Cast

March 22, 2026 / Oregon Film

Oregon Doc Camp Announces Schedule for April

March 10, 2026 / Oregon Film

Portland 48 Hour Film Project Returns

March 10, 2026 / Oregon Film

Panel Discussion: Oregon & Colorado, March 10

February 23, 2026 / Oregon Film

The Mountain Crumbles at Salem Film Festival 2010

tmcposter

“The Mountain Crumbles”, a feature drama by Portland/New York based director Matt Jay, will see it’s home state premiere this sunday, October 17th, at the 2010 Salem Film Festival.

The film tracks the events of a weekend camping trip between two brothers who appear to have grown apart over the years. The already fragile relationship receives it’s real test when the brothers meet and are joined by a mysterious young woman, whose presence changes the dynamic of the trip.

“The Mountain Crumbles” was shot entirely on Mount Hood, and features a cast and crew of young Northwest based or originating talent.

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Town Hall: A Film & TV Political Party

Ye Olde OMPA, One Man One DrinkThursday, October 21

@Large Films
807 NE Couch Street
Portland, OR

Hosted By OMPA

6:00 pm Doors
7:00 pm Presentation

Oregon’s commercial, film and TV workforce development programs are due to “sunset” on January 1, 2012 unless they are renewed by the 2011 state legislature. The candidates running for your state House and Senate seats today will be making difficult budget decisions for the state, and will decide which tax credits are renewed, including the Oregon Production Investment Fund and the equally important Greenlight Oregon Labor rebate.

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"Breaking Bad" Actor Talks of His Film in Oregon

RJ Mitte who plays the son in the AMC series “Breaking Bad” appeared on KATU’s AM Northwest yesterday morning.  Here’s the link to the piece. RJ is in town filming “House of Last Things” which is being directed by Michael Bartlett.  “House of Last Things” was the third film to apply for the new iOPIF program.

Between KATU’s piece on RJ and KOIN’s piece on Lauren Henry, it’s been a media flury this week for Film and Video projects in Oregon!

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A Shoe Company is creating a Record Label?

Photo of Geoff Cottrill from Converse (from NY Times Article)

I finally got around to reading the Sunday NY Times and noticed this article about Converse’s efforts in the music business.  Immediately I thought of my friend JT Griffith who works at Nike as their music licensing consultant.  These days music licensing is critical for nearly every marketing plan.  Previously he was a music supervisor for film and television projects.  So why am I writing about a shoe company and why am I interested in what’s happening in the music business?

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Meet the trainer and dog behind the OK Go Video

Lauren Henry from Corvallis based Talented Animals was on KOIN’s show Studio 6 yesterday.  Lauren has been a great resource for the Oregon Film community as she’s always out there plugging our state as a great place to film.  I also happened to be in a meeting yesterday where I met John Sechrest from Corvallis and the one thing he mentioned relating to Oregon Film was this video.  He helped the production secure a space for the video and spoke very highly of the experience.  

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"Meeks Cutoff" gets distribution

So I was doing the Oregon Film rounds Friday night (very rare for me).  I first stopped by OMPA’s “Oregon’s Got Talent” event which was literally packed with talent.  Then I headed over to a wrap party at the North Portland Chopsticks – equally fully with creative talent.  At the party I heard producer Neil Kopp was at the bar celebrating the news that “Meeks Cutoff” got a distribution deal with Oscilloscope Laboratories.  I went looking for Neil before my curfiew of 11:00 but could not find him to congratulate him on the news. 

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A Good Résumé Can Make All the Difference

We get calls each week from motivated, young,  job seekers who are either entering the work force directly from school or taking their career to the next level.  It can be daunting knowing where to start and so in answer to these queries, we created the career builder page as an addition to the job hotline resource on our site.  We  hope it will be a useful initiative full of  advice, suggestions and tips.  We consulted  with industry professionals to get their take on what makes a resume standout and they also gave us some great do’s and don’ts on the job.

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Just Saw this KOIN Piece on "Portlandia"

So I love nothing more than doing a little googling on a Thursday night (kind of sad commentary) and I came upon this piece that aired on KOIN this week.  Last week the principals of the the show “Portlandia” held a low key press conference and KOIN’s show Studio 6 covered the press conference as well as the other local media outlets.  They got some good stuff from Fred Armisen and Carrie Brownstein so check it out!

-Vince

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OpenLens Film Festival Calls for Entries

Eugene, Oregon. The Downtown Initiative for the Visual Arts (DIVA Center) announces its Seventh Annual OpenLens Short Film/Video Competition call for entries.  The deadline for submissions is 5PM December 1st. Screening and awards will take place during the three-day OpenLens Festival event – January 28th, 29th, and 30th, 2011.

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Oregon's Celebrated Film Crew

Behind the Scenes of "Animal House" in Eugene

Someone has to sing their praises: You know, the guys and gals you never hear about on talk shows or blog sites: the grips and the gaffers and the extras casters, the craft services and painters and prop finders, the location scouts and managers, the production office runners and p.a.’s and the transportation providers. These Oregonians never know where their next pay-check is coming from, and sacrifice a normal lifestyle with steady wages in order to be available on a moment’s notice to Productions who want to film in Oregon, and whose professionalism keeps these productions coming back.

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