The Confluence

PAM CUT is accepting applications for it’s 2026 Sustainability Labs. Applications now open until Jan 30th

These labs are intended for mid-career media based storytellers and it provides mentorship and life coach sessions; workshops and discussions with industry professionals; and a pitch session with creative leaders.

Culminating with an opportunity to attend PAM CUT’s Cinema Unbound Awards.

Paid travel and lodging to and from Portland.
$2500 Stipend to participate.
May 26 – 29
For questions please reach out to PAM CUT Head of Artist Services
Ben Popp – [email protected]

Happy New Year everyone.

As we are wont to do, we are taking a look at our work over the last year and taking stock. It goes without saying that there have been a great deal of changes in the landscape of the film and media industry over the last several months, and even more in the levels of uncertainty and anxiety. The industry is changing both in a macro and micro sense of the word and we are doing what we can to adjust and respond to that.

Case Study: Reclaiming Theatrical Distribution for Truly Independent Films

Independent filmmaking has never been more accessible, or more overwhelming. With streaming platforms saturated and traditional distribution pathways shrinking, truly independent films face an uphill battle to stand out. This case study explores an alternative model: reclaiming theatrical exhibition through grassroots, filmmaker-driven strategies. Drawing from the 18 city release of Breakup Season in 2024, director H. Nelson Tracey outlines how modern indies can build their own theatrical runs, engage audiences directly, and create sustainable momentum beyond relying on film festivals or Video on Demand.

Portland was recognized in the latest issue of Cinema Femme as one of the nation’s safest and supportive cities for LGTBQ+ filmmakers. Portland Events & Film Office’s Elyse Taylor Liburd was interviewed for the piece outlining the many ways Portland welcomes LGTBQ+ creatives.

You can see the full issue online here.

In partnership with 1803 Fund, MESO is proud to introduce the 1803 Black Filmmakers Grant—a funding opportunity designed to uplift Black filmmakers and support powerful storytelling that reflects the lived experiences, culture, and history of Black Portlanders and Oregonians. This grant aims to contribute to a rooted and prosperous Black community by investing directly in creative projects that center Black voices and narratives.

The fund will be used to support Narrative and Documentary shorts, feature films, and web series at various stages of production — production, post, marketing, and distribution.

Oregon Film recently joined the community on Substack. Subscription to our page is free, so please sign up and follow if you can:

oregonfilm.substack.com

Calling all talented filmmakers! Are you passionate about storytelling and have a captivating short film ready to be showcased? If your film clocks in at under 20 minutes, we have an incredible opportunity for you. The Oregon Coast Film Festival is eagerly seeking submissions for our 2026 event, to be held at the renowned Egyptian Theatre. Imagine your work being seen on the big screen!

For all the details, submission guidelines, and to learn how to apply, please visit our FilmFreeway page:https://filmfreeway.com/oregoncoastfilmfestival

One of the highest regarded films of all time will be celebrated Dec. 6 in Eugene.

Based on Oregon author Ken Kesey’s 1962 novel of the same name, One Flew Over the Cuckoo’s Nest was released in theaters 50 years ago. Having worked on set, Katherine K’iya Wilson helped bring one of the most well-regarded films of all time to life. “When Kesey published One Flew Over the Cuckoo’s Nest, it changed the world,” Wilson says. The novel and film hold a special place in her heart for finally dismantling the “silent Indian” trope that had long been cast over Native people in movies and television.