It was a great evening last night in Salem as the special screening of “Meek’s Cutoff” was bigger than anticipated. We’re waiting on the final tally of ticket sales but we’re expecting between 400 and 500 total tickets were sold for the event. Prior to the screening we hosted a reception for several legislators, industry members, and cultural trust board members. We were expecting about 10 legislators to come to the event but my last count was 16 including Senate President Peter Courtney and Speaker of the House Arnie Roblan. Continue reading... “Big Turnout for Screening of “Meek’s Cutoff””
The 8th annual BendFilm Festival opens call for entries! Declared “an important creation for filmmakers” by Gus Van Sant, BendFilm puts its focus on filmmakers, catering to their every need. Submit your film to the BendFilm today!! ** Only a few more days to take advantage of the Earlybird Deadline **
After receiving good reviews at the Hollywood Theatre in Portland, the new independent movie, “FRANKLIN WUNDER” will have a second advance screening at 3pm on Sunday, April 3rd, at the Columbian Theatre in Astoria. Filmed in Portland & Astoria, the film is the tender story of a dying man searching for some meaning to his past … and of a young woman he meets searching for a meaning to her future. The screening is open to the public. Continue reading... ““Franklin Wunder” Screening in Astoria”
This week the 34th Portland International Film Festival (PIFF) puts a spotlight on the tremendous accomplishments of Oregon filmmakers, with screenings of Peter D. Richardsonʼs Sundance-acclaimed documentary “How to Die in Oregon“; Aaron Katzʼs Portland valentine “Cold Weather“; the Portland premiere of Matt McCormickʼs first feature film, “Some Days are Better Than Others” starring Portlandia’s Carrie Brownstein; and a program of “Made in Portland” short films featuring the works of Jim Blashfield, Joanna Priestley, Vince Malone, and more.
I’m proud to announce that I have been invited to be an honorary co-chair of the 2011 Beloit International Film Festival. Affectionately known as BIFF, the festival is in its sixth year and has been touted as a “must-attend event” by Moviemaker Magazine showcasing both big releases and indie films. The festival has played host to filmmakers from around the world and, in a short time, has established itself as a truly international festival. The festival will kick off Thursday, February 17th and will continue through until Sunday, February 20th. Continue reading... “Oregon Producer Named Honorary Co-chair of Wisconsin Film Festival”
Now in its 8th year, BENDFILM FESTIVAL celebrates independent cinema’s brave voices by bringing thought-provoking, inspiring, and engaging films from all over the world to Central Oregon’s scenic mountainous town of Bend. Unmistakably filmmaker-friendly, BendFilm has been deemed one of “25 Festivals Worth the Entry Fee” by MovieMaker Magazine, and declared “an important creation for filmmakers” by Gus Van Sant. BendFilm has garnered acclaim from industry, media, audiences, and filmmakers alike. Continue reading... “BendFilm 2011 Opens Submissions”
All tickets are $20 and proceeds benefit the Oregon Cultural Trust. Tickets can be purchased in person (check only) at the Oregon Film office, or at Tickets West or at the Elsinore Theatre Ticket Office. Thanks to many ticket sponsors for this event, the OMPA has free tickets available. For more information, please go to their website.
Someone needs to sing their praises: you know, the men and women who mentor, intern and teach film. This last summer, I returned to the University of Oregon to attend classes being offered through the new Cinema Studies Department. I had formerly attended the U of O as a child of the 60’s, who had wanted to be a poet. As a direct result of the people I met there, I became a poetic cinema filmmaker.
I came upon a link to this article in the Washington Post about “Meek’s Cutoff”. The film is due to be released in theaters in April and I’m very curious to see how it does. The film has already made the rounds at the Venice, Toronto, and Sundance Film Festivals and by in large the critics have given the film very good reviews.
