The Confluence

Largo recently announced that CEO Glenn Gainor will serve as a strategic development and production partner for the #OregonMade script “Terminal,” the winning project from their Cannes 2026 Pitch Event.

Directed by David Poulshock and produced by Alyssa Roehrenbeck, “Terminal” is a psychological thriller that combines bold cinematic vision with timely psychological and cultural themes.

Largo’s Cannes Pitch Event was designed to identify projects with both creative originality and strong audience potential; “Terminal” delivered on both fronts.

Read more about it here.

Shrine13 is proud to present “SPACE: A Meditation on the Meaning of Art” at the Tomorrow Theater  on June 12!

It was supposed to be a simple documentary about a Portland landlord’s quest to convert the run-down NW Marine Iron Works complex into a thriving art space. But when eccentric artist, Tim Stapleton who is diagnosed with ALS, moves into one of the new studios – on his own quest to paint until his dying breath – everything changes.

Filmmaker David Poulshock endeavors to answer the existential question, “Why make art?”

Following sold out shows at global premieres in London and Bermuda this spring, “Transforming the Beautiful Game: The Clyde Best Story” is scheduled to premiere at Portland’s Aladdin Theater on June 4-5 for a two-night run in Soccer City USA supported by Portland Timbers (MLS).

The powerful sports and social history documentary celebrates the extraordinary life and legacy of Bermudian legend Clyde Best — the first Black soccer superstar of the modern television era in England – and a pioneering figure who later played for the Portland Timbers in the NASL (1977-81) and helped shape the early growth of professional soccer in the United States.

Last December, Kareem Alston-Rosales launched the nonprofit “Film 4 Good Fund.” Alston-Rosales noticed gaps in access to funding for independent filmmakers after years of work in philanthropy. The nonprofit, which aims to make it easier for independent filmmakers to receive direct grant funding for projects that are nearing the finish line, just gave out its first grant last week to Portland-based filmmaker Ime N. Etuk.

Alston-Rosales and Etuk joined OPB’s “Think Out Loud” to discuss the Film 4 Good Fund’s work, and what these pathways to grant funding can mean for independent filmmakers.

It is with great sadness that we say goodbye to Oregon based filmmaker, storyteller and friend Brian Lindstrom who passed away on May 15, 2026. Brian’s films, including “Alien Boy” and “Mothering Inside” brought to light people in our community that were often overlooked, forgotten or outright unseen. As his wife Cheryl writes:

His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, “society puts an X through.” He erased that X with his camera and his astonishing heart.

Oregon based LAIKA has released a teaser trailer for its Portland-set, Hillsboro produced next feature film “Wildwood,” and its beyond incredible!

After her baby brother is abducted by a murder of crows, headstrong teenager Prue McKeel launches a desperate rescue mission into the Impassable Wilderness—an enchanted forest hidden just beyond Portland, Oregon. Joined by her hapless but loyal classmate Curtis Mehlberg, Prue navigates a world of talking animals, bandits, and powerful figures driven by grief and ambition. As the pair is drawn into a conflict threatening the balance of the forest itself, Prue must discover strength and belief she never knew she possessed.

Breeda Wool and Natasha Halevi are set to lead Sander Gusinow’s female-driven thriller “Cottontail.”

Wool stars as Gwynnie Vail, described as a “cunning escaped convict hiding out in a remote cabin near the Idaho–Oregon border.” Per the official logline, “When sisters Autumn (Halevi) and Summer (Leah Shannon) arrive after crossing state lines in search of abortion medication, Gwynnie entangles them in a brutal psychological game that tests loyalty, survival and control.”

“Cottontail” is Gusinow’s feature directorial debut. His script “Big Sisters” was the 2022 Screencraft Feature Competition grand prize winner, and he holds a master’s degree in playwriting and screenwriting from Columbia University.

Oregon Community Foundation is pleased to announce that applications for the 2026 Fall Cycle of our Community Grants program will open May 26 and close June 23, 2026.

This funding cycle will prioritize support for:

• New or expanding programs and projects
• Capacity-building efforts
• Small capital projects under $500,000

Key dates and program guidelines are now available on our Community Grants webpage, including:

• Funding priorities
• Application questions
• Sample answers for a competitive application
• Review criteria

Find out more here.

Spend five days celebrating cinematic storytelling not contained to a single medium! The public programs expand upon the annual Cinema Unbound Awards (May 29) and include a special partnership with Criterion Collection.

Events include: Michelle Zauner, writer and musician (May 27); Criterion Mobile Closet (May 29–31); Criterion film screenings (May 23, 24, 30); Holy Sh*t! Improv (May 30); Paralyzed by Hope: The Maria Bamford Story w/ Maria Bamford in-person (May 31); and live taping of the Criterion Channel’s Adventures in Moviegoing with Fred Armisen & Carrie Brownstein (May 31).

Southern Oregon based Joma Films has launched an online distribution platform joma.film

Currently on the site they list all 25 years of the Ashland Independent Film Festival films, recommendations from Oregon Film, SOU Film Professors kicking off a new avenue to uplift indie filmmakers.

We connect filmmakers directly with audiences through a curator-powered discovery model. Filmmakers set their own pricing and retain control of their work. Curators help surface great films and earn a share of the revenue. Fans get access to films they won’t find anywhere else.