This week we take a creek less traveled to the center of the state and explore a comedy that only the 1980’s could’ve created and then the rest of history has somewhat ignored. Along the way we connect the dots between an Astoria artist, the cast of “Animal House,” “Ghostbusters,” “Hill Street Blues,” and “Porky’s” and throw in a creator of “Grimm” for good measure, all the while never taking our eye off that wet and wild…creek: the Deschutes River. Continue reading... “Raiders Of The Lost Archive – Back To School With “Up The Creek” (1984)”
As summer starts to come to a close it is with great pleasure that we find a way to celebrate the awesomeness that is the Oregon Coast especially in such a grand cinematic way. The North Coast as been home to many an iconic flick – Twilight, Short Circuit, Free Willy, Kindergarden Cop and, of course, The Goonies – but it has never seen the likes of Keanu and Patrick in the pouring rain at Indian Beach.
As Oregon Film starts to think about turning that wily age of 50 we are reflecting on some of the history that brought us to this point in our lifespan – and why not start at the beginning?
The story goes – after he made the beaches available to the public – Gov. Tom McCall needed just that little bit more to cement his legacy, so he assigned staffer Warren Merrill to help out a large Hollywood production creating No Name City at the confluence of two rivers in Baker County and, Lo and Behold, the beginnings of Oregon Film were born and so was…
We have decided that there is just way too much wonderful Oregon Film History to ignore. So, as we head into Oregon Film’s 50th anniversary year in 2018, we’ve been taking a more detailed look at the projects – both well-known and little-known – that have come from, or come to, Oregon in the last century.
So, with the help of Phil Oppenheim, who worked for twenty-five years in the trenches of network cable television before working on a doctorate within the Department of Radio-Television-Film at the University of Texas-Austin focusing on fringe broadcasting phenomena of the 1950s, we are delighted to bring you, for your weekend viewing pleasure, the first installment of a series we’re calling:
